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  Volume 10, Number 2, September 1967

Table of Contents

From: Modern Drama

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The Contributors

p. iii
|

O'Neill and German Expressionism

pp. 111-123
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The Fall and After—: Arthur Miller's Confession

pp. 124-136
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The Theater of John Osborne

pp. 137-143
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Lopez Rubio's Alberto: Character Revelation and Form

pp. 144-150
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Georges Schehadé: The Transfiguration of a Poetic Theatre

pp. 151-160
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Polus Naufrangia: A Key Symbol in The Ascent of F6

pp. 161-164
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Harold Pinter—Some Credits and Debits

pp. 165-174
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Proust and Redemption in Waiting for Godot

pp. 175-181
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Robert Bolt: Self, Shadow, and the Theater of Recognition

pp. 182-188
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Strindberg's Ghost Sonata: Parodied Fairy Tale on Original Sin

pp. 189-194
|

The Form of The Caucasian Chalk Circle

pp. 195-201
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Modern Drama: A Selective Bibliography of Works Published in English in 1966

pp. 202-215
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Book Reviews

The Folk Drama of Ceylon by E. R. Sarachchandra (review)

p. 216
|

Discussions of American Drama ed. by Walter J. Meserve (review)

pp. 216-217
|

Histoire des Spectacles ed. by Guy Dumur (review)

pp. 217-218
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The Film-Maker's Art by Haig P. Manoogian (review)

p. 219
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Open Letters to the Intimate Theater by August Strindberg (review)

pp. 219-220
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Research Areas

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