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  Volume 10, Number 2, September 1967

Table of Contents

From: Modern Drama

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The Contributors

p. iii

O'Neill and German Expressionism

pp. 111-123

The Fall and After—: Arthur Miller's Confession

pp. 124-136

The Theater of John Osborne

pp. 137-143

Lopez Rubio's Alberto: Character Revelation and Form

pp. 144-150

Georges Schehadé: The Transfiguration of a Poetic Theatre

pp. 151-160

Polus Naufrangia: A Key Symbol in The Ascent of F6

pp. 161-164

Harold Pinter—Some Credits and Debits

pp. 165-174

Proust and Redemption in Waiting for Godot

pp. 175-181

Robert Bolt: Self, Shadow, and the Theater of Recognition

pp. 182-188

Strindberg's Ghost Sonata: Parodied Fairy Tale on Original Sin

pp. 189-194

The Form of The Caucasian Chalk Circle

pp. 195-201

Modern Drama: A Selective Bibliography of Works Published in English in 1966

pp. 202-215

Book Reviews

The Folk Drama of Ceylon by E. R. Sarachchandra (review)

p. 216

Discussions of American Drama ed. by Walter J. Meserve (review)

pp. 216-217

Histoire des Spectacles ed. by Guy Dumur (review)

pp. 217-218

The Film-Maker's Art by Haig P. Manoogian (review)

p. 219

Open Letters to the Intimate Theater by August Strindberg (review)

pp. 219-220

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