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  Volume 10, Number 2, September 1967

Table of Contents

From: Modern Drama

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The Contributors

p. iii | DOI: 10.1353/mdr.1967.0071

O'Neill and German Expressionism

pp. 111-123 | DOI: 10.1353/mdr.1967.0021

The Fall and After—: Arthur Miller's Confession

pp. 124-136 | DOI: 10.1353/mdr.1967.0030

The Theater of John Osborne

pp. 137-143 | DOI: 10.1353/mdr.1967.0040

Lopez Rubio's Alberto: Character Revelation and Form

pp. 144-150 | DOI: 10.1353/mdr.1967.0049

Georges Schehadé: The Transfiguration of a Poetic Theatre

pp. 151-160 | DOI: 10.1353/mdr.1967.0058

Polus Naufrangia: A Key Symbol in The Ascent of F6

pp. 161-164 | DOI: 10.1353/mdr.1967.0067

Harold Pinter—Some Credits and Debits

pp. 165-174 | DOI: 10.1353/mdr.1967.0017

Proust and Redemption in Waiting for Godot

pp. 175-181 | DOI: 10.1353/mdr.1967.0026

Robert Bolt: Self, Shadow, and the Theater of Recognition

pp. 182-188 | DOI: 10.1353/mdr.1967.0036

Strindberg's Ghost Sonata: Parodied Fairy Tale on Original Sin

pp. 189-194 | DOI: 10.1353/mdr.1967.0046

The Form of The Caucasian Chalk Circle

pp. 195-201 | DOI: 10.1353/mdr.1967.0055

Modern Drama: A Selective Bibliography of Works Published in English in 1966

pp. 202-215 | DOI: 10.1353/mdr.1967.0064

Book Reviews

The Folk Drama of Ceylon by E. R. Sarachchandra (review)

p. 216 | DOI: 10.1353/mdr.1967.0014

Discussions of American Drama ed. by Walter J. Meserve (review)

pp. 216-217 | DOI: 10.1353/mdr.1967.0023

Histoire des Spectacles ed. by Guy Dumur (review)

pp. 217-218 | DOI: 10.1353/mdr.1967.0032

The Film-Maker's Art by Haig P. Manoogian (review)

p. 219 | DOI: 10.1353/mdr.1967.0051

Open Letters to the Intimate Theater by August Strindberg (review)

pp. 219-220 | DOI: 10.1353/mdr.1967.0042

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