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  Volume 7, Number 2, Summer 1964

Table of Contents

From: Modern Drama

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The Contributors

p. iii

Nishikigi and Yeats's The Dreaming of the Bones

pp. 111-125

Strindberg and Lagerkvist

pp. 126-134

Feathers Finely Aflutther

pp. 135-147

Conrad's Stage Victory

pp. 148-160

Strindberg and the English Theatre

pp. 161-173

Susan Glaspell and the Provincetown

pp. 174-184

Winterset: A Modern Revenge Tragedy

pp. 185-189

Myth and the American Dream: O'Neill to Albee

pp. 190-198

Two Plays by Billetdoux

pp. 199-203

Beckett's Endgame: An Anti-Myth of Creation

pp. 204-209

Existential "Character-Ideas" in Camus' The Misunderstanding

pp. 210-212

Theatricality in the Avant-Garde Drama: A Reconsideration of a Theme in the Light of The Balcony and The Connection

pp. 213-222

Letter from New York

pp. 223-230

Book Reviews

The Golden Labyrinth: A Study of British Drama by G. Wilson Knight (review)

pp. 231-233

The Last Four Lives of Annie Besant by Arthur H. Nerhercot (review)

pp. 233-234

Religious Drama: Ends and Means by Harold Ehrensperger (review)

pp. 234-235

T. S. Eliot's Dramatic Theory and Practice by Carol H. Smith (review)

pp. 235-236

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