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  Volume 7, Number 2, Summer 1964

Table of Contents

From: Modern Drama

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The Contributors

p. iii
|

Nishikigi and Yeats's The Dreaming of the Bones

pp. 111-125
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Strindberg and Lagerkvist

pp. 126-134
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Feathers Finely Aflutther

pp. 135-147
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Conrad's Stage Victory

pp. 148-160
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Strindberg and the English Theatre

pp. 161-173
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Susan Glaspell and the Provincetown

pp. 174-184
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Winterset: A Modern Revenge Tragedy

pp. 185-189
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Myth and the American Dream: O'Neill to Albee

pp. 190-198
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Two Plays by Billetdoux

pp. 199-203
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Beckett's Endgame: An Anti-Myth of Creation

pp. 204-209
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Existential "Character-Ideas" in Camus' The Misunderstanding

pp. 210-212
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Theatricality in the Avant-Garde Drama: A Reconsideration of a Theme in the Light of The Balcony and The Connection

pp. 213-222
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Letter from New York

pp. 223-230
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Book Reviews

The Golden Labyrinth: A Study of British Drama by G. Wilson Knight (review)

pp. 231-233
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The Last Four Lives of Annie Besant by Arthur H. Nerhercot (review)

pp. 233-234
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Religious Drama: Ends and Means by Harold Ehrensperger (review)

pp. 234-235
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T. S. Eliot's Dramatic Theory and Practice by Carol H. Smith (review)

pp. 235-236
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Research Areas

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