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  Volume 7, Number 2, Summer 1964

Table of Contents

From: Modern Drama

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The Contributors

p. iii | DOI: 10.1353/mdr.1964.0067

Nishikigi and Yeats's The Dreaming of the Bones

pp. 111-125 | DOI: 10.1353/mdr.1964.0040

Strindberg and Lagerkvist

pp. 126-134 | DOI: 10.1353/mdr.1964.0050

Feathers Finely Aflutther

pp. 135-147 | DOI: 10.1353/mdr.1964.0059

Conrad's Stage Victory

pp. 148-160 | DOI: 10.1353/mdr.1964.0003

Strindberg and the English Theatre

pp. 161-173 | DOI: 10.1353/mdr.1964.0014

Susan Glaspell and the Provincetown

pp. 174-184 | DOI: 10.1353/mdr.1964.0025

Winterset: A Modern Revenge Tragedy

pp. 185-189 | DOI: 10.1353/mdr.1964.0036

Myth and the American Dream: O'Neill to Albee

pp. 190-198 | DOI: 10.1353/mdr.1964.0046

Two Plays by Billetdoux

pp. 199-203 | DOI: 10.1353/mdr.1964.0055

Beckett's Endgame: An Anti-Myth of Creation

pp. 204-209 | DOI: 10.1353/mdr.1964.0064

Existential "Character-Ideas" in Camus' The Misunderstanding

pp. 210-212 | DOI: 10.1353/mdr.1964.0009

Theatricality in the Avant-Garde Drama: A Reconsideration of a Theme in the Light of The Balcony and The Connection

pp. 213-222 | DOI: 10.1353/mdr.1964.0020

Letter from New York

pp. 223-230 | DOI: 10.1353/mdr.1964.0031

Book Reviews

The Golden Labyrinth: A Study of British Drama by G. Wilson Knight (review)

pp. 231-233 | DOI: 10.1353/mdr.1964.0041

The Last Four Lives of Annie Besant by Arthur H. Nerhercot (review)

pp. 233-234 | DOI: 10.1353/mdr.1964.0051

Religious Drama: Ends and Means by Harold Ehrensperger (review)

pp. 234-235 | DOI: 10.1353/mdr.1964.0060

T. S. Eliot's Dramatic Theory and Practice by Carol H. Smith (review)

pp. 235-236 | DOI: 10.1353/mdr.1964.0069

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