We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 28, Number 1, Spring 1985

Table of Contents

Cinema, Theater and Opera: Modern Drama as Ceremony

pp. 1-21

Samuel Beckett's Media Plays

pp. 22-37

All That Fall as "a Play for Radio"

pp. 38-47

Toward a Poetics of Television Technology: Beckett's Nacht und Träume and Quad

pp. 48-54

The Transformation of a Pinter Screenplay: Freedom and Calculators in The French Lieutenant's Woman

pp. 55-70

The Basement: Harold Pinter on BBC-TV

pp. 71-82

Drama into Film: The Shaffer Situation

pp. 83-98

Drama and the Media in Britain

pp. 99-109

Screening the Camera's Eye: Black and White Confrontations of Technological Representation

pp. 110-124

The Filmic Cut and "Switchback" in the Plays of Sam Shepard

pp. 125-138

Imitating an Icon: John Erman's Remake of Tennessee Williams's A Streetcar Named Desire

pp. 139-147

Murderous Enactments: The Media's Presence in the Drama

pp. 148-161

Two Mephistos: A Study in Dialectics

pp. 162-170

Film and Theatre: Some Revisionist Propositions

pp. 171-179

Book Reviews

Dictionary of Literary Biography Documentary Series: An Illustrated Chronicle ed. by Margaret A. Van Antwerp and Sally Johns (review)

pp. 180-182

J.M. Synge by Eugene Benson (review)

pp. 182-184

New German Dramatists by Denis Calandra (review)

pp. 184-185


pp. 186-188

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access