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  Volume 28, Number 1, Spring 1985

Table of Contents

Cinema, Theater and Opera: Modern Drama as Ceremony

pp. 1-21 | DOI: 10.1353/mdr.1985.0040

Samuel Beckett's Media Plays

pp. 22-37 | DOI: 10.1353/mdr.1985.0050

All That Fall as "a Play for Radio"

pp. 38-47 | DOI: 10.1353/mdr.1985.0060

Toward a Poetics of Television Technology: Beckett's Nacht und Träume and Quad

pp. 48-54 | DOI: 10.1353/mdr.1985.0008

The Transformation of a Pinter Screenplay: Freedom and Calculators in The French Lieutenant's Woman

pp. 55-70 | DOI: 10.1353/mdr.1985.0018

The Basement: Harold Pinter on BBC-TV

pp. 71-82 | DOI: 10.1353/mdr.1985.0027

Drama into Film: The Shaffer Situation

pp. 83-98 | DOI: 10.1353/mdr.1985.0036

Drama and the Media in Britain

pp. 99-109 | DOI: 10.1353/mdr.1985.0046

Screening the Camera's Eye: Black and White Confrontations of Technological Representation

pp. 110-124 | DOI: 10.1353/mdr.1985.0056

The Filmic Cut and "Switchback" in the Plays of Sam Shepard

pp. 125-138 | DOI: 10.1353/mdr.1985.0004

Imitating an Icon: John Erman's Remake of Tennessee Williams's A Streetcar Named Desire

pp. 139-147 | DOI: 10.1353/mdr.1985.0014

Murderous Enactments: The Media's Presence in the Drama

pp. 148-161 | DOI: 10.1353/mdr.1985.0023

Two Mephistos: A Study in Dialectics

pp. 162-170 | DOI: 10.1353/mdr.1985.0032

Film and Theatre: Some Revisionist Propositions

pp. 171-179 | DOI: 10.1353/mdr.1985.0042

Book Reviews

Dictionary of Literary Biography Documentary Series: An Illustrated Chronicle ed. by Margaret A. Van Antwerp and Sally Johns (review)

pp. 180-182 | DOI: 10.1353/mdr.1985.0052

J.M. Synge by Eugene Benson (review)

pp. 182-184 | DOI: 10.1353/mdr.1985.0000

New German Dramatists by Denis Calandra (review)

pp. 184-185 | DOI: 10.1353/mdr.1985.0010


pp. 186-188 | DOI: 10.1353/mdr.1985.0020

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