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  Volume 27, Number 1, Spring 1984

Table of Contents

Grotowski's Akropolis: A Retrospective View

pp. 1-20
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Contexts for Vatzlav: Mrożek and the Eighteenth Century

pp. 21-40
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Feasts in Time of the Plague: Polish Theatre and Drama, Post-Solidarity

pp. 41-54
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Censorship

pp. 55-58
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Marek Nowakowski: Everyday Life under Communism

pp. 59-63
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The Pragmatics of Dialogue in the Theatre of St.I. Witkiewicz

pp. 64-79
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On Dramaturgic Agents and Krleža's Agential Structure: The Types as a Key Level

pp. 80-97
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High Points of Theatre in the First Czechoslovak Republic

pp. 98-111
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Ethics at the Crossroads: The Czech "Dissident Writer" as Dramatic Character

pp. 112-123
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Václav Havel's Second Wind

pp. 124-132
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A Little Country's Little Alphabet of Modern Man's Biggest Problems

pp. 133-137
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Book Reviews

A Critical Introduction to Twentieth-Century American Drama: Volume One, 1900-1940 by C.W.E. Bigsby (review)

pp. 138-139
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Eugene O'Neill by Normand Berlin (review)

pp. 140-142
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Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter by Kristin Morrison (review)

pp. 142-144
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Tom Stoppard's Plays by Jim Hunter (review)

pp. 144-145
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Understudies: Theatre and Sexual Politics by Michelene Wandor (review)

pp. 145-148
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Contemporary Drama and the Popular Dramatic Tradition in England by Peter Davison (review)

pp. 148-149
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Paul Claudel by Bettina L. Knapp (review)

pp. 149-151
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The Work: Conversations with English-Canadian Playwrights ed. by Robert Wallace and Cynthia Zimmerman (review)

pp. 151-153
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Chekhov and the Vaudeville: A Study of Chekhov's One-Act Plays by Vera Gottlieb (review)

pp. 153-154
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Contributors

pp. 155-156
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Research Areas

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