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  Volume 22, Number 1, Spring 1979

Table of Contents

From: Modern Drama

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"Revolution" in The Iceman Cometh

pp. 1-8
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Singing in the Wilderness: The Dark Vision of Eugene O'Neill's Only Mature Comedy

pp. 9-18
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Long Day's Journey Into Night: From Early Notes to Finished Play

pp. 19-28
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Toward a Third Stream Theatre: Lawrence Ferlinghetti's Plays

pp. 29-38
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Sam Shepard's Angel City: A Movie for the Stage

pp. 39-46
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Time and Harold Pinter's Possible Realities: Art as Life, and Vice Versa

pp. 47-60
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The Anger in Equus

pp. 61-66
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Serge Rezvani and France's Théâtre Ouvert—: Clash between Dramatist and Producer

pp. 67-77
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Alejandro Casona and Nikolai Evreinov: Life as Theater

pp. 79-88
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Book Reviews

The Dream Structure of Pinter's Plays: A Psychoanalytic Approach by Lucinda Paquet Gabbard (review)

pp. 89-92
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Butter's Going Up by Steven H. Gale (review)

pp. 92-94
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Theater and Revolution in France Since 1968 by Judith Graves Miller (review)

pp. 94-95
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Contributors Notes

pp. i-ii
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Research Areas

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