1. The Action and Its Significance: Arthur Miller's Struggle with Dramatic Form
  2. Orm Överland
  3. pp. 1-14
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  1. All My Sons and the Larger Context
  2. Barry Gross
  3. pp. 15-27
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  1. Arthur Miller's Incident At Vichy: A Sartrean Interpretation
  2. Lawrence D. Lowenthal
  3. pp. 29-41
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  1. Being and Perception: Beckett's Film
  2. Vincent J. Murphy
  3. pp. 43-48
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  1. Dada, Surrealism, and the Genesis of Not I
  2. Enoch Brater
  3. pp. 49-59
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  1. To make a short Beckett piece
  2. Merrie London
  3. p. 60
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  1. Modern Drama Studies: An Annual Bibliography
  2. Charles A. Carpenter
  3. pp. 61-116
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  1. L'esthétique de la Cruauté by Franco Tonelli (review)
  2. Bettina L. Knapp
  3. pp. 117-118
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  1. Bertolt Brecht Arbeitsjournal ed. by Werner Hecht (review)
  2. John Fuegi
  3. pp. 118-121
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  1. Victorian Stage Pulpiteer: Bernard Shaw's Crusade by Alan P. Barr (review)
  2. J. Percy Smith
  3. pp. 121-122
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  1. Bernard Shaw, Playwright: Aspects of Shavian Drama by Bernard F. Dukore (review)
  2. Robertson Davies
  3. pp. 122-123
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  1. The Iceman, The Arsonist, and the Troubled Agent: Tragedy and Melodrama on the Modern Stage by Robert Bechtold Heilman (review)
  2. Ann P. Messenger
  3. pp. 123-125
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  1. Contributors
  2. p. 1
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