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Browse > Film, Theater, and Performing Arts > Theater and Performance Studies > Modern Drama

From: Modern Drama

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  Volume 18, Number 1, Spring 1975

Table of Contents

The Action and Its Significance: Arthur Miller's Struggle with Dramatic Form

pp. 1-14 | DOI: 10.1353/mdr.1975.0027
Orm Överland
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All My Sons and the Larger Context

pp. 15-27 | DOI: 10.1353/mdr.1975.0034
Barry Gross
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Arthur Miller's Incident At Vichy: A Sartrean Interpretation

pp. 29-41 | DOI: 10.1353/mdr.1975.0003
Lawrence D. Lowenthal
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Being and Perception: Beckett's Film

pp. 43-48 | DOI: 10.1353/mdr.1975.0009
Vincent J. Murphy
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Dada, Surrealism, and the Genesis of Not I

pp. 49-59 | DOI: 10.1353/mdr.1975.0015
Enoch Brater
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To make a short Beckett piece

p. 60 | DOI: 10.1353/mdr.1975.0020
Merrie London
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Modern Drama Studies: An Annual Bibliography

pp. 61-116 | DOI: 10.1353/mdr.1975.0025
Charles A. Carpenter
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Book Reviews

L'esthétique de la Cruauté by Franco Tonelli (review)

pp. 117-118 | DOI: 10.1353/mdr.1975.0032
Bettina L. Knapp
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Bertolt Brecht Arbeitsjournal ed. by Werner Hecht (review)

pp. 118-121 | DOI: 10.1353/mdr.1975.0001
John Fuegi
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Victorian Stage Pulpiteer: Bernard Shaw's Crusade by Alan P. Barr (review)

pp. 121-122 | DOI: 10.1353/mdr.1975.0007
J. Percy Smith
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Bernard Shaw, Playwright: Aspects of Shavian Drama by Bernard F. Dukore (review)

pp. 122-123 | DOI: 10.1353/mdr.1975.0013
Robertson Davies
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The Iceman, The Arsonist, and the Troubled Agent: Tragedy and Melodrama on the Modern Stage by Robert Bechtold Heilman (review)

pp. 123-125 | DOI: 10.1353/mdr.1975.0018
Ann P. Messenger
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Theater in der Zeitenwende: Zur Geschichte des Dramas und des Schauspieltheaters in der Deutschen Demokratischen Republik 1945-1968 ed. by Werner Mittenzwei (review)

pp. 125-126 | DOI: 10.1353/mdr.1975.0023
John Fuegi
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Contributors

p. 1 | DOI: 10.1353/mdr.1975.0029
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Research Areas

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