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  Volume 15, Number 1, Spring 1972

Table of Contents

From: Modern Drama

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The Contributors

p. iii
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Articles

Strindberg and the New Poetics

pp. 1-14
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Peacocks and Mothers: Theme and Dramatic Metaphor in O'Casey's Juno and the Paycock

pp. 15-25
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Tennessee Williams' Fugitive Kind

pp. 26-43
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The Red Lantern: A Study of the Impact of the Cultural Revolution on Drama in China

pp. 44-53
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The Secret Agent on Stage

pp. 54-67
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The Cornell Letters: Eugene O'Neill on His Craftmanship to George Jean Nathan

pp. 68-88
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Shaw's Blakean Vision: A Dialectic Approach to Heartbreak House

pp. 89-103
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Book Reviews

Modern Drama from Communist China ed. by Walter J. Meserve and Ruth I. Meserve (review)

pp. 104-105
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The Shape of Chaos: An Interpretation of the Art of Samuel Beckett by David H. Hesla (review)

pp. 105-106
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The First Avant-Garde (1887-1894) by John A. Henderson (review)

pp. 107-108
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Jean Racine: Mythos and Renewal in Modern Theater by Bettina L. Knapp (review)

pp. 108-109
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Books in Brief

p. 110
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Research Areas

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