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  Volume 14, Number 1, Spring 1971

Table of Contents

From: Modern Drama

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The Contributors

p. iii


The Divina Commedia as Model and Anti-Model for The Investigation by Peter Weiss

pp. 1-12

A Word from the Silent Partner: A Book About Nemirovich-Danchenko

pp. 13-22

A Private Mythology: The Manuscripts and Plays of John Whiting

pp. 23-36

"Punctuation" and Patterning in The Homecoming

pp. 37-46

Sean O'Casey and Expressionism

pp. 47-62

Paul Claudel's Le Soulier de Satin as a Baroque Drama

pp. 63-71

Interdisciplinary Roots of the Theater of the Absurd

pp. 72-83

The Metaphoric Structure of A Man for All Seasons

pp. 84-92

William Vaughn Moody: The Dramatist as Social Philosopher

pp. 93-103

Günter Grass: A Kashubian G.B.S.

pp. 104-113

Book Reviews

The Peopled Wound: The Work of Harold Pinter by Martin Esslin (review)

pp. 114-115

Currents in Contemporary Drama by Ruby Cohn (review)

p. 116

A Drama of Souls: Studies In O'Neill's Super-Naturalistic Technique by Egil Törnqvist (review)

pp. 117-118

The Plays of John Osborne: An Assessment by Simon Trussler (review)

pp. 118-119

Portrait of the Artist as a Young Superman: A Study of Shaw's Novels by R. F. Dietrich (review)

pp. 119-120

Jean Cocteau by Bettina L. Knapp (review)

pp. 120-121

On Thrones of Gold: Three Javanese Shadow Plays ed. by James H. Brandon (review)

pp. 121-122

The Playwright and Historical Change: Dramatic Strategies in Brecht, Hauptmann, Kaiser and Wedekind by Leroy R. Shaw (review)

pp. 122-123

Robert E. Sherwood: Reluctant Moralist by Walter J. Meserve, and: The Ordeal of a Playwright: Robert E. Sherwood and the Challenge of War by John Mason Brown (review)

pp. 123-124

Books in Brief

pp. 125-126

Research Areas


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