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  Volume 12, Number 1, Spring 1969

Table of Contents

Six Characters: Pirandello's Last Tape

pp. 1-9

Dialectic and Time in The Condemned of Altona

pp. 10-17

The Influence of the Kabuki Theater on the Films of Eisenstein

pp. 18-29

Duerrenmatt's Mass Play

pp. 30-37

Henry Livings: A Neglected Voice in the New Drama

pp. 38-48

The New Bibliography of Modern Drama Studies

pp. 49-56


p. 56

Armand Gatti: Multiplicity of Vision in Action Theatre

pp. 57-63

Ugo Betti: The Theater of "Shame"

pp. 64-79

The 1968 Modern Drama Seminar

pp. 80-82

Four Variations on the Becket Theme in Modern Drama

pp. 83-91

Symbol and Substance in Tiny Alice

pp. 92-98

Book Reviews

Casebook on Waiting for Godot. The Impact of Beckett's Modern Classic: Reviews, Reflections, Interpretations ed. by Ruby Cohn (review)

pp. 99-100

French Drama of the Inter-War Years: 1918-39 by Dorothy Knowles (review)

pp. 100-101

Modern British Dramatists ed. by John Russell Brown (review)

pp. 101-102

The Oxford Companion to the Theatre ed. by Phyllis Hartnoll (review)

pp. 102-104

Drammi Per Voci by Giovanna Capone (review)

pp. 104-106

Twentieth Century Interpretations of The Iceman Cometh by John Henry Raleigh (review)

pp. 106-107

The Sean O'casey Reader: Plays, Autobiographies, Opinions ed. by Brooks Atkinson (review)

pp. 107-108

The Role of Nemesis in the Structure of Selected Plays by Eugene O'Neill by Chester Clayton Long (review)

pp. 108-109

Swedish Theatre by Niklas Brunius, Göran O Eriksson and Rolf Rembe (review)

pp. 109-110

The Contributors

p. iii

Research Areas


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