Volume 12, Number 1, Spring 1969

Table of Contents

Six Characters: Pirandello's Last Tape

pp. 1-9
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Dialectic and Time in The Condemned of Altona

pp. 10-17
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The Influence of the Kabuki Theater on the Films of Eisenstein

pp. 18-29
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Duerrenmatt's Mass Play

pp. 30-37
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Henry Livings: A Neglected Voice in the New Drama

pp. 38-48
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The New Bibliography of Modern Drama Studies

pp. 49-56
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Note

p. 56

Armand Gatti: Multiplicity of Vision in Action Theatre

pp. 57-63
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Ugo Betti: The Theater of "Shame"

pp. 64-79
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The 1968 Modern Drama Seminar

pp. 80-82
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Four Variations on the Becket Theme in Modern Drama

pp. 83-91
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Symbol and Substance in Tiny Alice

pp. 92-98
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Book Reviews

Casebook on Waiting for Godot. The Impact of Beckett's Modern Classic: Reviews, Reflections, Interpretations ed. by Ruby Cohn (review)

pp. 99-100
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French Drama of the Inter-War Years: 1918-39 by Dorothy Knowles (review)

pp. 100-101
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Modern British Dramatists ed. by John Russell Brown (review)

pp. 101-102
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The Oxford Companion to the Theatre ed. by Phyllis Hartnoll (review)

pp. 102-104
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Drammi Per Voci by Giovanna Capone (review)

pp. 104-106
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Twentieth Century Interpretations of The Iceman Cometh by John Henry Raleigh (review)

pp. 106-107
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The Sean O'casey Reader: Plays, Autobiographies, Opinions ed. by Brooks Atkinson (review)

pp. 107-108
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The Role of Nemesis in the Structure of Selected Plays by Eugene O'Neill by Chester Clayton Long (review)

pp. 108-109
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Swedish Theatre by Niklas Brunius, Göran O Eriksson and Rolf Rembe (review)

pp. 109-110
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The Contributors

p. iii
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