1. Dramatic Form: The Example of Godot
  2. Marion Trousdale
  3. pp. 1-9
  4. DOI: 10.1353/mdr.1968.0022
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  1. Nigerian Drama in English
  2. John Ferguson
  3. pp. 10-26
  4. DOI: 10.1353/mdr.1968.0026
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  1. Tennessee Williams' Persistent Battle of Angels
  2. Leonard Quirino
  3. pp. 27-39
  4. DOI: 10.1353/mdr.1968.0002
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  1. Christopher Fry as Tragicomedian
  2. Emil Roy
  3. pp. 40-47
  4. DOI: 10.1353/mdr.1968.0007
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  1. The Chain and the Circle: A Structural Comparison of Waiting for Godot and Endgame
  2. Konrad Schoell
  3. pp. 48-53
  4. DOI: 10.1353/mdr.1968.0011
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  1. Edward Albee's Tiny Alice: A Note of Re-examination
  2. Richard Allan Davison
  3. pp. 54-60
  4. DOI: 10.1353/mdr.1968.0015
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  1. Confrontation and Escape in Two Social Dramas
  2. Patricia Meyer Spacks
  3. pp. 61-72
  4. DOI: 10.1353/mdr.1968.0020
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  1. Propaganda and Art: Dramatic Theory and the American Depression
  2. Douglas McDermott
  3. pp. 73-81
  4. DOI: 10.1353/mdr.1968.0024
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  1. Incongruous Humor in the Contemporary Spanish Theater
  2. Phyllis Z. Boring
  3. pp. 82-86
  4. DOI: 10.1353/mdr.1968.0000
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  1. Time, Fantasy, and Reality in Night of the Iguana
  2. Ferdinand Leon
  3. pp. 87-96
  4. DOI: 10.1353/mdr.1968.0005
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  1. Ugo Betti's Troubled Waters
  2. Eric Salmon
  3. pp. 97-108
  4. DOI: 10.1353/mdr.1968.0009
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  1. Theater East and West: Perspectives Toward a Total Theater by Leonard C. Pronko (review)
  2. Constantine Tung
  3. p. 109
  4. DOI: 10.1353/mdr.1968.0013
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  1. The Contributors
  2. p. iii
  3. DOI: 10.1353/mdr.1968.0017
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  1. Responses to Drama: An Introduction to Plays and Movies by Thelma Altshuler and Richard Paul Janaro (review)
  2. Mary J. McKee
  3. p. 110
  4. DOI: 10.1353/mdr.1968.0018
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