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  Volume 10, Number 1, Summer 1967

Table of Contents

The Contributors

p. iii | DOI: 10.1353/mdr.1967.0007

Messages from Pinter

pp. 1-10 | DOI: 10.1353/mdr.1967.0006

Tragic Elements in a Duerrenmatt Comedy

pp. 11-16 | DOI: 10.1353/mdr.1967.0009

Sean O'Casey Studies Through 1964

pp. 17-23 | DOI: 10.1353/mdr.1967.0011

Theory and Practice in the Plays of Henry James

pp. 24-33 | DOI: 10.1353/mdr.1967.0013

James and Dumas, fils

pp. 34-42 | DOI: 10.1353/mdr.1967.0001

On Structure and Sweeney Agonistes

pp. 43-47 | DOI: 10.1353/mdr.1967.0003

O'Neill's Use of Dante in The Fountain and The Hairy Ape

pp. 48-56 | DOI: 10.1353/mdr.1967.0005

J.M. Synge and the Drama of Art

pp. 57-68 | DOI: 10.1353/mdr.1967.0008

One Man and His Dog: A Study of a Deleted Draft of Bernard Shaw's The Philanderer

pp. 69-78 | DOI: 10.1353/mdr.1967.0010

A Play on the Death of God: The Irony of Yeats's The Resurrection

pp. 79-86 | DOI: 10.1353/mdr.1967.0012

Der Prozess and Le Proces: A Study in Dramatic Adaptation

pp. 87-94 | DOI: 10.1353/mdr.1967.0000

The Theme and Structural Significance of Leonid Andreev's The Black Masks

pp. 95-103 | DOI: 10.1353/mdr.1967.0002

Translating Peer Gynt

pp. 104-110 | DOI: 10.1353/mdr.1967.0004

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