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  Volume 10, Number 1, Summer 1967

Table of Contents

The Contributors

p. iii
|

Messages from Pinter

pp. 1-10
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Tragic Elements in a Duerrenmatt Comedy

pp. 11-16
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Sean O'Casey Studies Through 1964

pp. 17-23
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Theory and Practice in the Plays of Henry James

pp. 24-33
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James and Dumas, fils

pp. 34-42
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On Structure and Sweeney Agonistes

pp. 43-47
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O'Neill's Use of Dante in The Fountain and The Hairy Ape

pp. 48-56
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J.M. Synge and the Drama of Art

pp. 57-68
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One Man and His Dog: A Study of a Deleted Draft of Bernard Shaw's The Philanderer

pp. 69-78
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A Play on the Death of God: The Irony of Yeats's The Resurrection

pp. 79-86
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Der Prozess and Le Proces: A Study in Dramatic Adaptation

pp. 87-94
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The Theme and Structural Significance of Leonid Andreev's The Black Masks

pp. 95-103
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Translating Peer Gynt

pp. 104-110
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Research Areas

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