1. W. B. Yeats on Plays and Players
  2. Ronald Ayling
  3. pp. 1-10
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  1. Brecht in Neverneverland: The Caucasian Chalk Circle
  2. Keith M. Sagar
  3. pp. 11-17
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  1. The Fetal Quality of "Character" in Plays of the Absurd
  2. Alberta E. Feynman
  3. pp. 18-25
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  1. The Mysticism of Eugene O'Neill
  2. Henry F. Pommer
  3. pp. 26-39
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  1. "Torn Dialogues . . . Torn and Lacerated Dialogues . . ." Jean Vauthier
  2. Bettina L. Knapp
  3. pp. 40-53
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  1. Carl Zuckmayer's The Devil's General as Autobiography
  2. Henry Glade
  3. pp. 54-61
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  1. Symbol and Meaning in Strindberg's Crime and Crime
  2. James L. Allen Jr.
  3. pp. 62-73
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  1. Young Lennox Robinson and The Abbey Theatre's First American Tour (1911-1912)
  2. Ida G. Everson
  3. pp. 74-89
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  1. The Undershaft Maxims
  2. Bernard F. Dukore
  3. pp. 90-100
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  1. Yeats's Drama and the Nō: A Comparative Study in Dramatic Theories
  2. Yasuko Stucki
  3. pp. 101-122
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  1. Albert Camus by Adele King (review)
  2. Laurent LeSage
  3. pp. 123-124
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  1. Robert E. Sherwood by Baird R. Shuman (review)
  2. Vincent Wall
  3. pp. 124-125
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  1. The Art of the Puppet by Bil Baird (review)
  2. W. J. Sollner
  3. pp. 125-126
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  1. The Contributors
  2. p. iii
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