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  Volume 7, Number 1, Spring 1964

Table of Contents

The Contributors

p. iii | DOI: 10.1353/mdr.1964.0022

1963 Modern Drama Conference

p. 1 | DOI: 10.1353/mdr.1964.0000

The Trouble with Lorca

pp. 2-15 | DOI: 10.1353/mdr.1964.0011

Thematic Patterns in Lorca's Blood Wedding

pp. 16-27 | DOI: 10.1353/mdr.1964.0033

Casona and Lorca: A Brief Comparison

pp. 28-34 | DOI: 10.1353/mdr.1964.0043

James Bridie and the Prodigal Son Story

pp. 35-45 | DOI: 10.1353/mdr.1964.0053

Modern Drama: Library Collections

p. 45 | DOI: 10.1353/mdr.1964.0066

The Living and the Dead in All My Sons

pp. 46-51 | DOI: 10.1353/mdr.1964.0062

Arthur Miller and the Common Man's Language

pp. 52-59 | DOI: 10.1353/mdr.1964.0007

"Drop a Tear . . .": Henry James Dramatizes Daisy Miller

pp. 60-64 | DOI: 10.1353/mdr.1964.0018

Naturalist Drama and Galsworthy

pp. 65-78 | DOI: 10.1353/mdr.1964.0029

Imagery in the Comedies of Christopher Fry

pp. 79-88 | DOI: 10.1353/mdr.1964.0039

The Drama of Carlos Solórzano

pp. 89-100 | DOI: 10.1353/mdr.1964.0049

Book Reviews

Saint Genet: Actor and Martyr by Jean-Paul Sartre (review)

pp. 101-103 | DOI: 10.1353/mdr.1964.0058

Bosie, the Story of Lord Alfred Douglas, His Friends and Enemies by Rupert Croft-Cooke, and: Oscar Wilde, the Aftermath by H. Montgomery Hyde, and: The Importance of Being Oscar by Michéal Mac Liammóir (review)

pp. 103-107 | DOI: 10.1353/mdr.1964.0002

The Theatre of Garcia Lorca by Robert Lima (review)

pp. 107-108 | DOI: 10.1353/mdr.1964.0013

Notebooks 1935-1942 of Albert Camus by Philip Thody (review)

pp. 108-109 | DOI: 10.1353/mdr.1964.0024

Discussions of Henrik Ibsen ed. by James Walter McFarlane (review)

p. 109 | DOI: 10.1353/mdr.1964.0035

Avant-Garde: The Experimental Theater in France by Leonard Cabell Pronko (review)

p. 110 | DOI: 10.1353/mdr.1964.0045

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