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  Volume 6, Number 1, Spring 1963

Table of Contents

The Contributors

p. iii
|

Thomas Wolfe: Dramatist

pp. 1-11
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Mallarméan Antecedents of the Avant-Garde Theater

pp. 12-19
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John Osborne's Backward Half-Way Look

pp. 20-25
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Shaw Improves Shaw

pp. 26-31
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Job in Anderson's Winterset

pp. 32-41
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The Meaning of The Importance of Being Earnest

pp. 42-52
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Sean O'Casey and the Lockout of 1913: Materia Poetica of the Two Red Plays

pp. 53-63
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Yeats and the Theater: A Selected Bibliography

pp. 64-71
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The Infernal Machine, Hamlet, and Ernest Jones

pp. 72-83
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Modern Drama Conference: Modern Language Association

p. 84
|

Book Reviews

Drama on Stage by Randolph Goodman (review)

pp. 85-86
|

Tennessee Williams: The Man and His Work by Benjamin Nelson (review)

pp. 86-87
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Playwriting by Bernard Grebanier (review)

p. 87
|

Eight Dramas of Calderón, Freely Translated by Edward Fitzgerald, and: Calderón 4 Plays (review)

pp. 87-89
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Ibsen and the Beginnings of Anglo-Irish Drama, I. John Millington Synge by Jan Setterquist, and: Ibsen and the Beginnings of Anglo-Irish Drama II. Edward Martyn by Jan Setterquist (review)

pp. 89-90
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O'Neill by Arthur and Barbara Gelb (review)

pp. 90-92
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Le Théâtre Tragique ed. by Jean Jacquot (review)

pp. 92-93
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Twentieth Century Drama by Bamber Gascoigne (review)

pp. 93-96
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Le Destin des Grandes Oeuvres Dramatiques by Auréliu Weiss (review)

p. 96
|

Many Loves and other Play, the Collected Plays by William Carlos Williams (review)

pp. 97-98
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Tennessee Williams: Rebellious Puritan by Nancy M. Tischler (review)

pp. 98-100
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The Work of Living Art by Adolphe Appia (review)

pp. 100-101
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Theatre: The Rediscovery of Style by Michel Saint-Denis (review)

pp. 101-103
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Radio Plays for Young People to Act by Rose Schneideman (review)

p. 103
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Karel Capek by William Harkins (review)

pp. 103-104
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Poems and Verse Plays of Hugo von Hofmannsthal ed. by Michael Hamburger (review)

pp. 105-106
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Krechinsky's Wedding by Alexander Sukhovo-Kobylin (review)

pp. 106-107
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The Death of Tragedy by George Steiner, and: Tragedy and the Theory of Drama by Elder Olson (review)

pp. 107-108
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Eugene Ionesco by Richard N. Coe, and: Samuel Beckett: The Language of Self by Frederick J. Hoffman (review)

pp. 108-110
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Research Areas

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