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  Volume 6, Number 1, Spring 1963

Table of Contents

The Contributors

p. iii

Thomas Wolfe: Dramatist

pp. 1-11

Mallarméan Antecedents of the Avant-Garde Theater

pp. 12-19

John Osborne's Backward Half-Way Look

pp. 20-25

Shaw Improves Shaw

pp. 26-31

Job in Anderson's Winterset

pp. 32-41

The Meaning of The Importance of Being Earnest

pp. 42-52

Sean O'Casey and the Lockout of 1913: Materia Poetica of the Two Red Plays

pp. 53-63

Yeats and the Theater: A Selected Bibliography

pp. 64-71

The Infernal Machine, Hamlet, and Ernest Jones

pp. 72-83

Modern Drama Conference: Modern Language Association

p. 84

Book Reviews

Drama on Stage by Randolph Goodman (review)

pp. 85-86

Tennessee Williams: The Man and His Work by Benjamin Nelson (review)

pp. 86-87

Playwriting by Bernard Grebanier (review)

p. 87

Eight Dramas of Calderón, Freely Translated by Edward Fitzgerald, and: Calderón 4 Plays (review)

pp. 87-89

Ibsen and the Beginnings of Anglo-Irish Drama, I. John Millington Synge by Jan Setterquist, and: Ibsen and the Beginnings of Anglo-Irish Drama II. Edward Martyn by Jan Setterquist (review)

pp. 89-90

O'Neill by Arthur and Barbara Gelb (review)

pp. 90-92

Le Théâtre Tragique ed. by Jean Jacquot (review)

pp. 92-93

Twentieth Century Drama by Bamber Gascoigne (review)

pp. 93-96

Le Destin des Grandes Oeuvres Dramatiques by Auréliu Weiss (review)

p. 96

Many Loves and other Play, the Collected Plays by William Carlos Williams (review)

pp. 97-98

Tennessee Williams: Rebellious Puritan by Nancy M. Tischler (review)

pp. 98-100

The Work of Living Art by Adolphe Appia (review)

pp. 100-101

Theatre: The Rediscovery of Style by Michel Saint-Denis (review)

pp. 101-103

Radio Plays for Young People to Act by Rose Schneideman (review)

p. 103

Karel Capek by William Harkins (review)

pp. 103-104

Poems and Verse Plays of Hugo von Hofmannsthal ed. by Michael Hamburger (review)

pp. 105-106

Krechinsky's Wedding by Alexander Sukhovo-Kobylin (review)

pp. 106-107

The Death of Tragedy by George Steiner, and: Tragedy and the Theory of Drama by Elder Olson (review)

pp. 107-108

Eugene Ionesco by Richard N. Coe, and: Samuel Beckett: The Language of Self by Frederick J. Hoffman (review)

pp. 108-110

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