1. Experiment and Vision in Ionesco's Plays
  2. Richard M. Eastman
  3. pp. 3-19
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  1. A Note on Perception and Communication in Beckett's Endgame
  2. Allan Brick
  3. pp. 20-22
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  1. The New Open-air Drama in France: Rediscovery and Renascence
  2. Kenneth S. White
  3. pp. 23-30
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  1. Translation and Adaptation in the Contemporary Drama
  2. Henry Knepler
  3. pp. 31-41
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  1. The Theater of Albert Camus
  2. Rima Drell Reck
  3. pp. 42-53
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  1. Maeterlinck and the Quest for a Mystic Tragedy of the Twentieth Century
  2. Calvin Evans
  3. pp. 54-59
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  1. Benavente on Shakespearean Characters
  2. Kessel Schwartz
  3. pp. 60-62
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  1. The Prelate and the Pachyderm: Rear Guard and Vanguard Drama in the French Theater
  2. Leonard C. Pronko
  3. pp. 63-71
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  1. The Vultures: Becque's Realistic Comedy of Manners
  2. Carl W. Wooton
  3. pp. 72-79
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  1. Note
  2. p. 79
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  1. The Stature of Arthur Schnitzler
  2. Claude Hill
  3. pp. 80-91
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  1. Recent Developments and Problems in the Study of German Expressionist Drama
  2. Walter H. Sokel
  3. pp. 92-96
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  1. A Scene from an Unpublished Version of Frank Wedekind's Lulu-Tragedy
  2. Kadidja Wedekind-Biel
  3. pp. 97-100
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  1. Gustav Adolf by August Strindberg (review)
  2. P. M. Mitchell
  3. pp. 101-102
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  1. The Saga of the Folkungs. Engelbrekt by August Strindberg (review)
  2. Erik Wahlgren
  3. pp. 102-103
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  1. A Theater in Your Head by Kenneth Thorpe Rowe (review)
  2. Edward Groff
  3. pp. 103-105
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  1. The First Five Lives of Annie Besant by Arthur H. Nethercot (review)
  2. George Waggoner
  3. pp. 105-106
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  1. The Contributors
  2. p. 1
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  1. Books Received
  2. pp. 107-108
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