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  Volume 4, Number 1, Spring 1961

Table of Contents

The Contributors

p. 1

Experiment and Vision in Ionesco's Plays

pp. 3-19
|

A Note on Perception and Communication in Beckett's Endgame

pp. 20-22
|

The New Open-air Drama in France: Rediscovery and Renascence

pp. 23-30
|

Translation and Adaptation in the Contemporary Drama

pp. 31-41
|

The Theater of Albert Camus

pp. 42-53
|

Maeterlinck and the Quest for a Mystic Tragedy of the Twentieth Century

pp. 54-59
|

Benavente on Shakespearean Characters

pp. 60-62
|

The Prelate and the Pachyderm: Rear Guard and Vanguard Drama in the French Theater

pp. 63-71
|

The Vultures: Becque's Realistic Comedy of Manners

pp. 72-79
|

Note

p. 79

The Stature of Arthur Schnitzler

pp. 80-91
|

Recent Developments and Problems in the Study of German Expressionist Drama

pp. 92-96
|

A Scene from an Unpublished Version of Frank Wedekind's Lulu-Tragedy

pp. 97-100
|

Book Reviews

Gustav Adolf by August Strindberg (review)

pp. 101-102
|

The Saga of the Folkungs. Engelbrekt by August Strindberg (review)

pp. 102-103
|

A Theater in Your Head by Kenneth Thorpe Rowe (review)

pp. 103-105
|

The First Five Lives of Annie Besant by Arthur H. Nethercot (review)

pp. 105-106
|

Books Received

pp. 107-108
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Research Areas

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