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Browse Book and Journal Content on Project MUSE

  Volume 3, Number 1, Spring 1960

Table of Contents

The Contributors

p. iii | DOI: 10.1353/mdr.1960.0017


p. iv | DOI: 10.1353/mdr.1960.0027

A Letter from Paris

pp. 4-7 | DOI: 10.1353/mdr.1960.0036

Strindberg and the Danse Macabre

pp. 8-15 | DOI: 10.1353/mdr.1960.0045

The Divided Self in the Society Comedies of Oscar Wilde

pp. 16-23 | DOI: 10.1353/mdr.1960.0054

Perspectives of Modern Verse Drama

pp. 24-29 | DOI: 10.1353/mdr.1960.0004

Bjørnstjerne Bjørnson's Beyond Human Power and Kaj Munk's The Word

pp. 30-36 | DOI: 10.1353/mdr.1960.0013

Old History and New: Anachronism in Caesar and Cleopatra

pp. 37-41 | DOI: 10.1353/mdr.1960.0023

Anderson's Winesburg and the Hedgerow Theatre

pp. 42-51 | DOI: 10.1353/mdr.1960.0032

Eliot and Kierkegaard: "The Meaning of Happening" in The Cocktail Party

pp. 52-59 | DOI: 10.1353/mdr.1960.0041

The Case for Harlequin: A Footnote on Shaw's Dramatic Method

pp. 60-74 | DOI: 10.1353/mdr.1960.0050

The Progeny of Atreus

pp. 75-81 | DOI: 10.1353/mdr.1960.0000

Wedekind in Retrospect

pp. 82-92 | DOI: 10.1353/mdr.1960.0009

Book Reviews

J. M. Synge, 1871-1909 by David H. Greene and Edward M. Stephens (review)

pp. 93-95 | DOI: 10.1353/mdr.1960.0019

Camus by Germaine Brée (review)

pp. 96-97 | DOI: 10.1353/mdr.1960.0029

"Mon ami le Theatre" by Jean-Jacques Bernard (review)

p. 97 | DOI: 10.1353/mdr.1960.0038

The Writer in Extremis, Expressionism in Twentieth-Century German Literature by Walter H. Sokel (review)

pp. 98-100 | DOI: 10.1353/mdr.1960.0059

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