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  Volume 3, Number 1, Spring 1960

Table of Contents

The Contributors

p. iii


p. iv

A Letter from Paris

pp. 4-7

Strindberg and the Danse Macabre

pp. 8-15

The Divided Self in the Society Comedies of Oscar Wilde

pp. 16-23

Perspectives of Modern Verse Drama

pp. 24-29

Bjørnstjerne Bjørnson's Beyond Human Power and Kaj Munk's The Word

pp. 30-36

Old History and New: Anachronism in Caesar and Cleopatra

pp. 37-41

Anderson's Winesburg and the Hedgerow Theatre

pp. 42-51

Eliot and Kierkegaard: "The Meaning of Happening" in The Cocktail Party

pp. 52-59

The Case for Harlequin: A Footnote on Shaw's Dramatic Method

pp. 60-74

The Progeny of Atreus

pp. 75-81

Wedekind in Retrospect

pp. 82-92

Book Reviews

J. M. Synge, 1871-1909 by David H. Greene and Edward M. Stephens (review)

pp. 93-95

Camus by Germaine Brée (review)

pp. 96-97

"Mon ami le Theatre" by Jean-Jacques Bernard (review)

p. 97

The Writer in Extremis, Expressionism in Twentieth-Century German Literature by Walter H. Sokel (review)

pp. 98-100

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