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  Volume 27, Number 1, Fall 2012

Table of Contents

From: Journal of Dramatic Theory and Criticism

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p. 1


Inventing the Origins of Theatre History: The Modern Uses of Juba II's theatriké historia

pp. 5-23

Drama for "Neglected People": Recovering Anna Julia Cooper's Dramatic Theory and Criticism from the Shadows of W.E.B. Du Bois and Alain Locke

pp. 25-50

Staging the Banality of Evil: Donald Freed's The White Crow: Eichmann in Jerusalem, Cecil Taylor's Good, and Peter Barnes's Laughter!

pp. 51-69

"Our Wounded Tongue": Language And Subjectivity In The Flu Season

pp. 71-90

"Upon Such Sacrifices": An Ethic of Spectator Risk

pp. 91-107

Lying with a Speaking Spine: Reperforming Marina Abramovic's Nude with Skeleton

pp. 109-123

Columbia College Chicago's Symposium: "Chicago: Theatre Capital of America. Past. Present. Future." A Report from the Field

pp. 125-133

Book Reviews

As If: An Autobiography: Volume One, and: Reality Principles: From the Absurd to the Virtual (review)

pp. 137-139

Examining the Use of Safety, Confrontation, and Ambivalence in Six Depictions of Reproductive Women on the American Stage, 1997-2007: Staging "the Place" of Abortion (review)

pp. 140-142

Offstage Space, Narrative, and the Theatre of Imagination (review)

pp. 142-143

Racial Innocence: Performing American Childhood from Slavery to Civil Rights (review)

pp. 143-146

Dancing on the Canon: Embodiments of Value in Popular Dance (review)

pp. 146-148

The Winter's Tale (review)

pp. 148-150

Automata and Mimesis on the Stage of Theatre History (review)

pp. 150-152

A Menopausal Gentleman: The Solo Performances of Peggy Shaw (review)

pp. 153-155

The Problem of the Color[blind] (review)

pp. 155-157

The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life After Shopping (review)

pp. 157-159

Books Received

pp. 160-165


p. 167

Research Areas


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