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  Volume 55, Number 4, Winter 2012

Table of Contents

From: Modern Drama

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Notice of Errata

p. 1
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Articles

Introduction

pp. 429-436
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Frankenstein and the Mute Figure of Melodrama

pp. 437-458
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Melodramatic Slaves

pp. 459-475
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Redressing the Black Crook: The Dancing Tableau of Melodrama

pp. 476-496
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Victorian Railway Accident and the Melodramatic Imagination

pp. 497-522
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Mega-Melodrama! Vertical and Horizontal Suspensions of the “Classical”

pp. 523-543
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Melodrama, Modernity and the Brazilian Television Mini-Series

pp. 544-565
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Reviews

Racial Innocence: Performing American Childhood from Slavery to Civil Rights (review)

pp. 566-569
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Cruelty and Desire in the Modern Theater: Antonin Artaud, Sarah Kane, and Samuel Beckett (review)

pp. 569-571
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Salome’s Modernity: Oscar Wilde and the Aesthetics of Transgression (review)

pp. 571-573
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Mabou Mines: Making Avant-Garde Theater in the 1970s (review)

pp. 573-576
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Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia (review)

pp. 576-579
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American Poetry in Performance: From Walt Whitman to Hip Hop (review)

pp. 579-581
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Great Lengths: Seven Works of Marathon Theater (review)

pp. 581-584
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Berlinische Dramaturgie: Gespraechsprotokolle der von Peter Hacks geleiteten Akademiearbeitsgruppen (review)

pp. 584-586
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Contributors

pp. 587-588
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Index to Volume 55, 2012

pp. 589-592
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Research Areas

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