restricted access   Volume 55, Number 4, Winter 2012

Table of Contents

From: Modern Drama

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Notice of Errata

p. 1



pp. 429-436

Frankenstein and the Mute Figure of Melodrama

pp. 437-458

Melodramatic Slaves

pp. 459-475

Redressing the Black Crook: The Dancing Tableau of Melodrama

pp. 476-496

Victorian Railway Accident and the Melodramatic Imagination

pp. 497-522

Mega-Melodrama! Vertical and Horizontal Suspensions of the “Classical”

pp. 523-543

Melodrama, Modernity and the Brazilian Television Mini-Series

pp. 544-565


Racial Innocence: Performing American Childhood from Slavery to Civil Rights (review)

pp. 566-569

Cruelty and Desire in the Modern Theater: Antonin Artaud, Sarah Kane, and Samuel Beckett (review)

pp. 569-571

Salome’s Modernity: Oscar Wilde and the Aesthetics of Transgression (review)

pp. 571-573

Mabou Mines: Making Avant-Garde Theater in the 1970s (review)

pp. 573-576

Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia (review)

pp. 576-579

American Poetry in Performance: From Walt Whitman to Hip Hop (review)

pp. 579-581

Great Lengths: Seven Works of Marathon Theater (review)

pp. 581-584

Berlinische Dramaturgie: Gespraechsprotokolle der von Peter Hacks geleiteten Akademiearbeitsgruppen (review)

pp. 584-586


pp. 587-588

Index to Volume 55, 2012

pp. 589-592