1. The Fictional Worlds of Neorealism
  2. Patrick Keating
  3. pp. 11-30
  4. DOI: 10.1353/crt.2003.0031
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  1. Believing in Gary Cooper
  2. George E. Toles
  3. pp. 31-52
  4. DOI: 10.1353/crt.2003.0034
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  1. Working the Crowd: Movies and Mass Politics
  2. Michael Tratner
  3. pp. 53-73
  4. DOI: 10.1353/crt.2003.0035
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  1. "You Never Had a Camera Inside My Head": The Masculine Subject of the Postmodern Sublime
  2. Jennifer Hammett
  3. pp. 75-87
  4. DOI: 10.1353/crt.2003.0030
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  1. Tales of the City: Applying Situationist Social Practice to the Analysis of the Urban Drama
  2. Deron Albright
  3. pp. 89-108
  4. DOI: 10.1353/crt.2003.0026
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  1. Between Cinema and a Hard Place: Gary Hill's Video Art Between Words and Images
  2. S. Brent Plate
  3. pp. 109-127
  4. DOI: 10.1353/crt.2003.0033
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  1. The Pursuit of Pleasure: Gender, Space and Architecture in Regency London (review)
  2. Claire Nicolay
  3. pp. 131-134
  4. DOI: 10.1353/crt.2003.0032
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  1. Faulkner and the Politics of Reading (review)
  2. John Earl Bassett
  3. pp. 134-139
  4. DOI: 10.1353/crt.2003.0027
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  1. Perceiving Animals, Humans and Beasts in Early Modern English Culture (review)
  2. Ron Broglio
  3. pp. 139-142
  4. DOI: 10.1353/crt.2003.0029
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  1. Introduction
  2. Lesley Brill, Robert Burgoyne
  3. p. 7
  4. DOI: 10.1353/crt.2003.0028
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