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Table of Contents

  1. Beckett, Minimalism, and the Question of Postmodernism
  2. Duncan McColl Chesney
  3. pp. 637-655
  4. DOI: https://doi.org/10.1353/mod.2012.0091
  5. restricted access
  1. Fireworks and Other Profane Illuminations: Color and the Experience of Wonder in Modern Visual Culture
  2. Laura Anne Kalba
  3. pp. 657-676
  4. DOI: https://doi.org/10.1353/mod.2012.0095
  5. restricted access
  1. When Marco Leaves the Building: Intercultural Performances and Other Audiences
  2. Ju Yon Kim
  3. pp. 677-691
  4. DOI: https://doi.org/10.1353/mod.2012.0099
  5. restricted access
  1. Literary Memory and the Moment of Modern Music
  2. Aaron Yale Heisler
  3. pp. 693-715
  4. DOI: https://doi.org/10.1353/mod.2012.0077
  5. restricted access
  1. Tin Pan Allegory
  2. Keir Keightley
  3. pp. 717-736
  4. DOI: https://doi.org/10.1353/mod.2012.0081
  5. restricted access
  1. The Case of William Seabrook: Documents, Haiti, and the Working Dead
  2. Susan Zieger
  3. pp. 737-754
  4. DOI: https://doi.org/10.1353/mod.2012.0085
  5. restricted access
  1. Finding Haiti, Finding History in Zora Neale Hurston’s Their Eyes Were Watching God
  2. Patricia Stuelke
  3. pp. 755-774
  4. DOI: https://doi.org/10.1353/mod.2012.0089
  5. open access
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  1. On Some Seminal Motifs in Walter Benjamin: Seed, Sperm, Modernity, and Gender
  2. Tim Beasley-Murray
  3. pp. 775-791
  4. DOI: https://doi.org/10.1353/mod.2012.0093
  5. restricted access
  1. Modern Utopias, Major and Minor
  2. Patrick Parrinder
  3. pp. 793-798
  4. DOI: https://doi.org/10.1353/mod.2012.0097
  5. restricted access
  1. The Saddest Tory
  2. John Attridge
  3. pp. 799-803
  4. DOI: https://doi.org/10.1353/mod.2012.0101
  5. restricted access
  1. The Weather in Proust (review)
  2. Joseph Litvak
  3. pp. 805-807
  4. DOI: https://doi.org/10.1353/mod.2012.0079
  5. restricted access
  1. 1895: Drama, Disaster and Disgrace in Late Victorian Britain (review)
  2. Deaglán Ó Donghaile
  3. pp. 807-809
  4. DOI: https://doi.org/10.1353/mod.2012.0083
  5. restricted access
  1. Ravel the Decadent: Memory, Sublimation and Desire (review)
  2. Edward Campbell
  3. pp. 809-810
  4. DOI: https://doi.org/10.1353/mod.2012.0087
  5. restricted access
  1. Modernist Nowheres: Politics and Utopia in Early Modernist Writing, 1900–1920 (review)
  2. Christos Hadjiyiannis
  3. pp. 811-813
  4. DOI: https://doi.org/10.1353/mod.2012.0092
  5. restricted access
  1. The Time Ship: A Chrononautical Journey (review)
  2. Kevin Riordan
  3. pp. 813-814
  4. DOI: https://doi.org/10.1353/mod.2012.0096
  5. restricted access
  1. Architecture and Modern Literature (review)
  2. Sarah Edwards
  3. pp. 815-816
  4. DOI: https://doi.org/10.1353/mod.2012.0100
  5. restricted access
  1. In the Hollow of the Wave: Virginia Woolf and Modernist Uses of Nature (review)
  2. Alison Lacivita
  3. pp. 817-818
  4. DOI: https://doi.org/10.1353/mod.2012.0078
  5. restricted access
  1. Virginia Woolf’s Essayism (review)
  2. Ned Stuckey-French
  3. pp. 818-820
  4. DOI: https://doi.org/10.1353/mod.2012.0082
  5. restricted access
  1. Women Modernists and Fascism (review)
  2. Erin G.Carlston
  3. pp. 820-822
  4. DOI: https://doi.org/10.1353/mod.2012.0086
  5. restricted access
  1. Leslie Howard: The Lost Actor (review)
  2. Phyllis Lassner
  3. pp. 822-823
  4. DOI: https://doi.org/10.1353/mod.2012.0090
  5. restricted access
  1. Sexuality in Europe: A Twentieth-Century History (review)
  2. Richard Cleminson
  3. pp. 824-825
  4. DOI: https://doi.org/10.1353/mod.2012.0094
  5. restricted access
  1. How a Revolutionary Art Became Official Culture: Murals, Museums and the Mexican State (review)
  2. Julia Banwell
  3. pp. 825-827
  4. DOI: https://doi.org/10.1353/mod.2012.0098
  5. restricted access
  1. Modernism and Race (review)
  2. Patricia E. Chu
  3. pp. 827-829
  4. DOI: https://doi.org/10.1353/mod.2012.0076
  5. restricted access
  1. Modernism and Nihilism (review)
  2. Diane Morgan
  3. pp. 829-831
  4. DOI: https://doi.org/10.1353/mod.2012.0080
  5. restricted access
  1. Theory after “Theory.” (review)
  2. Nicholas Birns
  3. pp. 831-833
  4. DOI: https://doi.org/10.1353/mod.2012.0084
  5. restricted access
  1. Recent Books of Interest
  3. pp. 835-837
  4. DOI: https://doi.org/10.1353/mod.2012.0088
  5. restricted access