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  Volume 19, Number 4, November 2012

Table of Contents

Beckett, Minimalism, and the Question of Postmodernism

pp. 637-655 | DOI: 10.1353/mod.2012.0091

Fireworks and Other Profane Illuminations: Color and the Experience of Wonder in Modern Visual Culture

pp. 657-676 | DOI: 10.1353/mod.2012.0095

When Marco Leaves the Building: Intercultural Performances and Other Audiences

pp. 677-691 | DOI: 10.1353/mod.2012.0099

Literary Memory and the Moment of Modern Music

pp. 693-715 | DOI: 10.1353/mod.2012.0077

Tin Pan Allegory

pp. 717-736 | DOI: 10.1353/mod.2012.0081

The Case of William Seabrook: Documents, Haiti, and the Working Dead

pp. 737-754 | DOI: 10.1353/mod.2012.0085

Finding Haiti, Finding History in Zora Neale Hurston’s Their Eyes Were Watching God

pp. 755-774 | DOI: 10.1353/mod.2012.0089

On Some Seminal Motifs in Walter Benjamin: Seed, Sperm, Modernity, and Gender

pp. 775-791 | DOI: 10.1353/mod.2012.0093

Review Essays

Modern Utopias, Major and Minor

pp. 793-798 | DOI: 10.1353/mod.2012.0097

The Saddest Tory

pp. 799-803 | DOI: 10.1353/mod.2012.0101

The Weather in Proust (review)

pp. 805-807 | DOI: 10.1353/mod.2012.0079

1895: Drama, Disaster and Disgrace in Late Victorian Britain (review)

pp. 807-809 | DOI: 10.1353/mod.2012.0083

Ravel the Decadent: Memory, Sublimation and Desire (review)

pp. 809-810 | DOI: 10.1353/mod.2012.0087

Modernist Nowheres: Politics and Utopia in Early Modernist Writing, 1900–1920 (review)

pp. 811-813 | DOI: 10.1353/mod.2012.0092

The Time Ship: A Chrononautical Journey (review)

pp. 813-814 | DOI: 10.1353/mod.2012.0096

Architecture and Modern Literature (review)

pp. 815-816 | DOI: 10.1353/mod.2012.0100

In the Hollow of the Wave: Virginia Woolf and Modernist Uses of Nature (review)

pp. 817-818 | DOI: 10.1353/mod.2012.0078

Virginia Woolf’s Essayism (review)

pp. 818-820 | DOI: 10.1353/mod.2012.0082

Women Modernists and Fascism (review)

pp. 820-822 | DOI: 10.1353/mod.2012.0086

Leslie Howard: The Lost Actor (review)

pp. 822-823 | DOI: 10.1353/mod.2012.0090

Sexuality in Europe: A Twentieth-Century History (review)

pp. 824-825 | DOI: 10.1353/mod.2012.0094

How a Revolutionary Art Became Official Culture: Murals, Museums and the Mexican State (review)

pp. 825-827 | DOI: 10.1353/mod.2012.0098

Modernism and Race (review)

pp. 827-829 | DOI: 10.1353/mod.2012.0076

Modernism and Nihilism (review)

pp. 829-831 | DOI: 10.1353/mod.2012.0080

Theory after “Theory.” (review)

pp. 831-833 | DOI: 10.1353/mod.2012.0084

Recent Books of Interest

pp. 835-837 | DOI: 10.1353/mod.2012.0088

Research Areas


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