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In this Issue

Table of Contents

Articles

  1. La Double Exigence Éthique dans les Mémoires du duc de Saint-Simon
  2. Francesco Pigozzo
  3. pp. 1-14
  4. restricted access
  1. Death by Volcano: Revolutionary Theatre and Marie-Antoinette
  2. Sanja Perovic
  3. pp. 15-29
  4. restricted access
  1. Scatology, Chopped Liver, and the Last Supper: Daniel Zimmermann’s Holocaust Novel L’Anus du monde
  2. Gary D. Mole
  3. pp. 30-46
  4. restricted access
  1. An Art Novel for the Age of Mechanical Reproduction: Blaise Cendrars’s Dan Yack
  2. Katherine Shingler
  3. pp. 47-60
  4. restricted access
  1. Figuring Abjection: The Slave Mother in the Early Creole Novel
  2. Maeve McCusker
  3. pp. 61-75
  4. restricted access

État présent

  1. Autofiction in the Feminine
  2. Shirley Jordan
  3. pp. 76-84
  4. restricted access

Reviews

  1. Illuminating the ‘Roman d’Alexandre’: Oxford, Bodleian Library, MS Bodley 264. The Manuscript as Monument (review)
  2. Keith Busby
  3. p. 85
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  1. ‘Li premerains vers’: Essays in Honor of Keith Busby (review)
  2. Alex Stuart
  3. p. 86
  4. restricted access
  1. Perceforest’ et ‘Zéphir’: propositions autour d’un récit arthurien bourguignon (review)
  2. Laura J. Campbell
  3. pp. 86-87
  4. restricted access
  1. Poetry of Charles d’Orléans and his Circle: A Critical Edition of BnF ms. fr 25458, Charles d’Orléans’s Personal Manuscript (review)
  2. Adrian Armstrong
  3. pp. 87-88
  4. restricted access
  1. Figures de l’histoire et du temps dans l’œuvre de Rabelais (review)
  2. Kathryn Banks
  3. pp. 88-89
  4. restricted access
  1. Rabelais et la question du sens (review)
  2. François Cornilliat
  3. pp. 89-90
  4. restricted access
  1. Complete Poems: A Bilingual Edition (review)
  2. Pollie Bromilow
  3. pp. 90-91
  4. restricted access
  1. Obscénités renaissantes (review)
  2. Bernd Renner
  3. pp. 91-92
  4. restricted access
  1. L’Ombre de l’auteur: Pierre Bergeron et l’écriture du voyage à la fin de la Renaissance (review)
  2. Ann Blair
  3. p. 92
  4. restricted access
  1. Poètes, princes et collectionneurs: mélanges offerts à Jean-Paul Barbier-Mueller (review)
  2. Keith Cameron
  3. p. 93
  4. restricted access
  1. Ombres de l’utopie: essais sur les voyages imaginaires du XVIeau XVIIIesiècle (review)
  2. Edward Ousselin
  3. pp. 93-94
  4. restricted access
  1. Bossuet et la rhétorique de l’autorité (review)
  2. Richard Parish
  3. pp. 94-95
  4. restricted access
  1. Fontenelle ou la machine perspectiviste (review)
  2. Frédérique Aït-Touati
  3. pp. 95-96
  4. restricted access
  1. Disguised Vices: Theories of Virtue in Early Modern French Thought (review)
  2. Richard Parish
  3. pp. 96-97
  4. restricted access
  1. Remarques et observations sur la langue française: histoire etévolution d’un genre (review)
  2. Rodney Sampson
  3. p. 97
  4. restricted access
  1. Lectures de Saint-Simon: autour de l’‘Intrigue du mariage de M. le duc de Berry’ (review)
  2. David Harrison
  3. p. 98
  4. restricted access
  1. Mémoires pour servir à la vie de M. de Voltaire, écrits par lui-même (review)
  2. Haydn Mason
  3. pp. 98-99
  4. restricted access
  1. Voltaire et l’écriture de l’histoire: un enjeu politique (review)
  2. James Hanrahan
  3. pp. 99-100
  4. restricted access
  1. Raynal et ses réseaux (review)
  2. Andreas Motsch
  3. pp. 100-101
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  1. Trois romans d’Isabelle de Charrière: ‘Lettres neuchâteloises’; ‘Lettres de Lausanne’; ‘Honorine d’Userche’ (review)
  2. Edward Ousselin
  3. pp. 101-102
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  1. The Perfect Foil: François-André Vincent and the Revolution in French Painting (review)
  2. Ed Lilley
  3. p. 102
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  1. The Bad Taste of Others: Judging Literary Value in Eighteenth-Century France (review)
  2. Rori Bloom
  3. p. 103
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  1. Enlightenment Orientalism: Resisting the Rise of the Novel (review)
  2. Ros Ballaster
  3. pp. 103-104
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  1. Roman et théâtre au XVIIIesiècle: le dialogue des genres (review)
  2. Neil Younger
  3. pp. 104-105
  4. restricted access
  1. Royal Censorship of Books in Eighteenth-Century France (review)
  2. David Adams
  3. pp. 105-106
  4. restricted access
  1. Vraisemblance et représentation au XVIIIesiècle (review)
  2. Kevin Inston
  3. pp. 106-107
  4. restricted access
  1. Petit catéchisme stendhalien (review)
  2. Maria Scott
  3. p. 107
  4. restricted access
  1. For Love or for Money: Balzac’s Rhetorical Realism (review)
  2. Sotirios Paraschas
  3. p. 108
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  1. Œuvres complètes, I: Choix des poésies de Ronsard, Du Bellay, Baïf, Belleau, Du Bartas, Chassignet, Desportes, Régnier (review)
  2. Peter Dayan
  3. pp. 108-109
  4. restricted access
  1. Flaubert: éthique et esthétique (review)
  2. Kate Rees
  3. pp. 109-110
  4. restricted access
  1. Dawn of the Belle Époque: The Paris of Monet, Zola, Bernhardt, Eiffel, Debussy, Clemenceau, and their Friends (review)
  2. Hannah Thompson
  3. pp. 110-111
  4. restricted access
  1. Interior Portraiture and Masculine Identity in France, 1789–1914 (review)
  2. Bradley Stephens
  3. pp. 111-112
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  1. Sex, Honor and Citizenship in Early Third Republic France (review)
  2. Nicholas White
  3. p. 112
  4. restricted access
  1. Cahiers/Notebooks (review)
  2. Patrick O’Donovan
  3. pp. 113-115
  4. restricted access
  1. Proust Writing Photography: Fixing the Fugitive in ‘À la recherche du temps perdu’ (review)
  2. Katja Haustein
  3. pp. 115-116
  4. restricted access
  1. La Mémoire du lecteur: essai sur ‘Albertine disparue’ et ‘Le Temps retrouvé’ (review)
  2. Anna Magdalena Elsner
  3. pp. 116-117
  4. restricted access
  1. Mauriac et Bernanos: deux mondes romanesques entre la violence et l’amour (review)
  2. John Flower
  3. p. 117
  4. restricted access
  1. Dada and Beyond, I: Dada Discourses (review)
  2. Elizabeth Benjamin
  3. p. 118
  4. restricted access
  1. Francis Ponge et Eugène de Kermadec: histoire d’un compagnonnage (review)
  2. Shirley Jordan
  3. p. 119
  4. restricted access
  1. Writing Art: French Literary Responses to the Work of Alberto Giacometti (review)
  2. Timothy Mathews
  3. pp. 119-120
  4. restricted access
  1. Persévérer dans l’être: correspondance, 1961–1963 (D’Hadrien à Zénon, III) (review)
  2. Nigel Saint
  3. pp. 120-121
  4. restricted access
  1. The Philosophy of Sartre (review)
  2. Nik Farrell-Fox
  3. pp. 121-122
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  1. Existentialism and Contemporary Cinema: A Sartrean Perspective (review)
  2. Laura McMahon
  3. pp. 122-123
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  1. La Passion du théâtre: Camus à la scène (review)
  2. Ted Freeman
  3. pp. 123-124
  4. restricted access
  1. Dans le miroir des mots: identité féminine et relations familiales dans l’œuvre romanesque de Marguerite Duras (review)
  2. James S. Williams
  3. p. 124
  4. restricted access
  1. The Picture as Spectre in Diderot, Proust, and Deleuze (review)
  2. Margaret Topping
  3. p. 125
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  1. ‘Et l’une et l’autre face des choses’: la déconstruction poétique de l’Histoire dans ‘Les Indes’ et ‘Le Sel noir’ d’Édouard Glissant (review)
  2. Nicola Frith
  3. pp. 125-126
  4. restricted access
  1. Gérard Macé (review)
  2. Akane Kawakami
  3. pp. 126-127
  4. restricted access
  1. Andreï Makine: l’ekphrasis dans son œuvre (review)
  2. Helena Duffy
  3. pp. 127-128
  4. restricted access
  1. Art and Visual Culture on the French Riviera, 1956–1971: The École de Nice (review)
  2. Rosemary Lancaster
  3. pp. 128-129
  4. restricted access
  1. L’Auteur pour la jeunesse: de l’édition à l’école (review)
  2. Kiera Vaclavik
  3. pp. 129-130
  4. restricted access
  1. L’Autre Francophonie (review)
  2. Edward Ousselin
  3. p. 130
  4. restricted access
  1. The Claims of Culture at Empire’s End: Syria and Lebanon under French Rule (review)
  2. Audra A. Diptee
  3. p. 131
  4. restricted access
  1. The Radical Use of Chance in 20th Century Art (review)
  2. Stephen Forcer
  3. pp. 131-132
  4. restricted access
  1. The French Republic: History, Values, Debates (review)
  2. Manuel Braganca
  3. pp. 132-133
  4. restricted access
  1. May 68: Rethinking France’s Last Revolution (review)
  2. Keith Reader
  3. pp. 133-134
  4. restricted access
  1. Melancholy Politics: Loss, Mourning, and Memory in Late Modern France (review)
  2. Max Silverman
  3. pp. 134-135
  4. restricted access
  1. Mortal Subjects: Passions of the Soul in Late Twentieth-Century French Thought (review)
  2. Patrick Ffrench
  3. p. 135
  4. restricted access
  1. The New French Philosophy (review)
  2. Todd May
  3. p. 136
  4. restricted access
  1. The Pleasures of Crime: Reading Modern French Crime Fiction (review)
  2. Alistair Rolls
  3. pp. 136-137
  4. restricted access
  1. Photo-texts: Contemporary French Writing of the Photographic Image (review)
  2. Akane Kawakami
  3. pp. 137-138
  4. restricted access
  1. Contemporary French Theatre and Performance (review)
  2. Julia Dobson
  3. pp. 138-139
  4. restricted access
  1. Écrire l’écrivain: formes contemporaines de la vie d’auteur (review)
  2. Ann Jefferson
  3. pp. 139-140
  4. restricted access
  1. La Plume des bêtes: les animaux dans le roman (review)
  2. Maeve McCusker
  3. pp. 140-141
  4. restricted access
  1. The Republic and the Riots: Exploring Urban Violence in French Suburbs, 2005–2007 (review)
  2. Daniel A. Gordon
  3. p. 141
  4. restricted access
  1. Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain (review)
  2. Rachel Haworth
  3. p. 142
  4. restricted access
  1. Le Tour du monde d’Astérix: actes du colloque tenu à la Sorbonne les 30 et 31 octobre 2009 (review)
  2. Laurence Grove
  3. pp. 142-143
  4. restricted access
  1. Writing Postcolonial France: Haunting, Literature, and the Maghreb (review)
  2. Lucy Brisley
  3. pp. 143-144
  4. restricted access
  1. Postcolonial Poetics: Genre and Form (review)
  2. Gillian Jein
  3. pp. 144-145
  4. restricted access
  1. French Studies in and for the Twenty-First Century (review)
  2. Michael Lucey
  3. pp. 145-146
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Varia

  1. Books Received
  3. pp. 147-152
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  1. Forthcoming Articles
  3. p. 153
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