restricted access   Volume 64, Number 4, December 2012

Table of Contents

Editorial Comment

Editorial Comment: Queer Research in Performance

pp. 1-3

Special Issue Essays

Riding, Scarring, Knowing: A Queerly Embodied Performance Historiography

pp. 489-511

Queens “Campin’” Onstage: Performing Queerness in Mae West’s “Gay Plays”

pp. 513-532

“You’ve got that thing”: Cole Porter, Stephen Sondheim, and the Erotics of the List Song

pp. 533-548

The Ridiculous Performance of Taylor Mac

pp. 549-563

Queer Ecology / Contemporary Plays

pp. 565-582

Peformance Reviews

Broke House (review)

pp. 583-585

Tales of the City: A New Musical, and: The Normal Heart (review)

pp. 585-588

How I Learned to Drive (review)

pp. 589-590

Untitled Feminist Show (review)

pp. 590-592

Sontag: Reborn, and: You, My Mother (review)

pp. 592-595

Digital: A Love Story; Bully; Grand Theft Auto IV; Portal; Dys4ia (review)

pp. 595-598

Lay of the Land (review)

pp. 598-601

Edward II (review)

pp. 601-603

Burning Bluebeard (review)

pp. 603-605

Review Essay

LGBTQ: An Alphabet of Interested Writing

pp. 607-616

The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present (review)

pp. 617-618

Uncloseting Drama: American Modernism and Queer Performance (review)

pp. 618-619

Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance (review)

pp. 619-620

Feminist Visions and Queer Futures in Postcolonial Drama: Community, Kinship, and Citizenship (review)

pp. 620-622

Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the Wow Café Theatre (review)

pp. 622-623

Charles Ludlam and the Ridiculous Theatrical Company: Critical Analyses of 29 Plays (review)

pp. 623-625

Queer Theatre and the Legacy of Cal Yeomans (review)

pp. 625-626

Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein, and: Reading the Plays of Wendy Wasserstein (review)

pp. 626-627

Look, I Made a Hat: Collected Lyrics (1981–2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany (review)

pp. 627-629

Irving Berlin’s American Musical Theater, and: The Irving Berlin Reader (review)

pp. 629-631

Sarah Kane in Context (review)

pp. 631-632

Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists (review)

pp. 632-633

Index to Volume 64

Index to Volume 64

pp. 639-644