1. Transitions
  2. pp. 1-2
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  1. Cold War Legacies in Digital Editing
  2. Amanda Gailey
  3. pp. 5-17
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  1. The Digital Edition and the Digital Humanities
  2. Amy E. Earhart
  3. pp. 18-28
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  1. Digital Editing with the TEI Yesterday, Today, and Tomorrow
  2. Brett Barney
  3. pp. 29-41
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  1. The Familial, Professional, and Literary Contexts of Edinburgh, National Archives of Scotland, Manuscript RH 13/35
  2. Emily Wingfield
  3. pp. 77-96
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  1. The Maitland and the Sinclair Families: The Chronicles of Scotland and its Early Modern Readers
  2. Ryoko Harikae
  3. pp. 97-106
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  1. "Kyndness of blude": Kinship, Patronage, and Politics in Gavin Douglas
  2. Katherine H. Terrell
  3. pp. 107-120
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  1. The Campbells: Lordship, Literature, and Liminality
  2. Martin MacGregor
  3. pp. 121-157
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  1. Northern Magnates and their Books
  2. A. S. G. Edwards
  3. pp. 176-186
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  1. A Revised Edition of the Manly-Rickert Text of the Canterbury Tales (review)
  2. Thomas J. Farrell
  3. pp. 187-197
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  1. Stanzas In Meditation: The Corrected Edition (review)
  2. Logan Esdale
  3. pp. 198-205
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  1. Divine Art, Infernal Machine: The Reception of Printing in the West from First Impressions to the Sense of an Ending (review)
  2. Nicolas Valazza
  3. pp. 205-207
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  1. Poetry, Pictures, and Popular Publishing: The Illustrated Gift Book and Victorian Visual Culture 1855-1875 (review)
  2. Katherine D. Harris
  3. pp. 208-210
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  1. A Novel Marketplace: Mass Culture, the Book Trade, and Postwar American Fiction (review)
  2. Janine Tobeck
  3. pp. 210-213
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  1. Introduction: Historical Perspectives on Digital Editing
  2. Amanda Gailey
  3. pp. 3-4
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  1. Northern Book Cultures: Introduction
  2. Joanna Martin, Kate McClune
  3. pp. 42-49
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  1. Contributors
  2. pp. 214-216
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