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  New Series 40, 2012

Table of Contents


pp. ix-xiv | DOI: 10.1353/rnd.2012.0008

Taking Stock

pp. 3-8 | DOI: 10.1353/rnd.2012.0012

Exclusive Of

pp. 9-17 | DOI: 10.1353/rnd.2012.0015

Renaissance and/or Early Modern Drama and/or Theater and/or Performance: A Dialogue

pp. 19-28 | DOI: 10.1353/rnd.2012.0018

Toward a New Theatricality?

pp. 29-35 | DOI: 10.1353/rnd.2012.0000

The Play’s Not the Thing

pp. 37-45 | DOI: 10.1353/rnd.2012.0003

The Dream of a Perfect History

pp. 47-56 | DOI: 10.1353/rnd.2012.0006

Acting and Ontology in Molière

pp. 57-70 | DOI: 10.1353/rnd.2012.0010

What’s the Worst Thing You Can Do to Shak/x/espeare?

pp. 71-89 | DOI: 10.1353/rnd.2012.0014

Recent Trends in Editing of Renaissance Drama Anthologies

pp. 91-100 | DOI: 10.1353/rnd.2012.0017

Authority and Theatrical Community: Early Modern Spanish Theater Manuscripts

pp. 101-112 | DOI: 10.1353/rnd.2012.0020

Defining the Proper Members of the Renaissance Theatrical Community

pp. 113-123 | DOI: 10.1353/rnd.2012.0002

No Field Is an Island: Postcolonial and Transnational Approaches to Early Modern Drama

pp. 125-133 | DOI: 10.1353/rnd.2012.0005

“Après le déluge, More Criticism”: Philology, Literary History, and Ancestral Reading in the Coming Posttranscription World

pp. 135-150 | DOI: 10.1353/rnd.2012.0009

Renaissance Drama: Future Directions

pp. 151-160 | DOI: 10.1353/rnd.2012.0013

Still No Precise Subject: The View from French

pp. 161-169 | DOI: 10.1353/rnd.2012.0016

The Work of Italian Theater

pp. 171-184 | DOI: 10.1353/rnd.2012.0019

William Shakespeare’s Regnal Connections: Whose Court Is This Anyway?

pp. 185-195 | DOI: 10.1353/rnd.2012.0001

Tragedy and Trauerspiel for the (Post-)Westphalian Age

pp. 197-208 | DOI: 10.1353/rnd.2012.0004

Hannah Arendt Strasse

pp. 209-217 | DOI: 10.1353/rnd.2012.0007

Notes on Contributors

pp. 219-224 | DOI: 10.1353/rnd.2012.0011

Research Areas


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