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Table of Contents

  1. Taking Stock
  2. Karen Newman
  3. pp. 3-8
  4. DOI: https://doi.org/10.1353/rnd.2012.0012
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  1. Exclusive Of
  2. Jonathan Goldberg
  3. pp. 9-17
  4. DOI: https://doi.org/10.1353/rnd.2012.0015
  5. restricted access
  1. Renaissance and/or Early Modern Drama and/or Theater and/or Performance: A Dialogue
  2. Barbara Hodgdon, W. B. Worthen
  3. pp. 19-28
  4. DOI: https://doi.org/10.1353/rnd.2012.0018
  5. restricted access
  1. Toward a New Theatricality?
  2. Henry S. Turner
  3. pp. 29-35
  4. DOI: https://doi.org/10.1353/rnd.2012.0000
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  1. The Play’s Not the Thing
  2. Bruce R. Smith
  3. pp. 37-45
  4. DOI: https://doi.org/10.1353/rnd.2012.0003
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  1. The Dream of a Perfect History
  2. S. P. Cerasano
  3. pp. 47-56
  4. DOI: https://doi.org/10.1353/rnd.2012.0006
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  1. Acting and Ontology in Molière
  2. Christopher Braider
  3. pp. 57-70
  4. DOI: https://doi.org/10.1353/rnd.2012.0010
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  1. What’s the Worst Thing You Can Do to Shak/x/espeare?
  2. Richard Burt, Julian Yates
  3. pp. 71-89
  4. DOI: https://doi.org/10.1353/rnd.2012.0014
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  1. Recent Trends in Editing of Renaissance Drama Anthologies
  2. David Bevington
  3. pp. 91-100
  4. DOI: https://doi.org/10.1353/rnd.2012.0017
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  1. Authority and Theatrical Community: Early Modern Spanish Theater Manuscripts
  2. Margaret Greer
  3. pp. 101-112
  4. DOI: https://doi.org/10.1353/rnd.2012.0020
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  1. Defining the Proper Members of the Renaissance Theatrical Community
  2. Mary Bly
  3. pp. 113-123
  4. DOI: https://doi.org/10.1353/rnd.2012.0002
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  1. No Field Is an Island: Postcolonial and Transnational Approaches to Early Modern Drama
  2. Barbara Fuchs
  3. pp. 125-133
  4. DOI: https://doi.org/10.1353/rnd.2012.0005
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  1. “Après le déluge, More Criticism”: Philology, Literary History, and Ancestral Reading in the Coming Posttranscription World
  2. Michael Witmore, Jonathan Hope
  3. pp. 135-150
  4. DOI: https://doi.org/10.1353/rnd.2012.0009
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  1. Renaissance Drama: Future Directions
  2. Tiffany Stern
  3. pp. 151-160
  4. DOI: https://doi.org/10.1353/rnd.2012.0013
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  1. Still No Precise Subject: The View from French
  2. Katherine Ibbett
  3. pp. 161-169
  4. DOI: https://doi.org/10.1353/rnd.2012.0016
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  1. The Work of Italian Theater
  2. Jane Tylus
  3. pp. 171-184
  4. DOI: https://doi.org/10.1353/rnd.2012.0019
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  1. William Shakespeare’s Regnal Connections: Whose Court Is This Anyway?
  2. Leeds Barroll
  3. pp. 185-195
  4. DOI: https://doi.org/10.1353/rnd.2012.0001
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  1. Tragedy and Trauerspiel for the (Post-)Westphalian Age
  2. Jane O. Newman
  3. pp. 197-208
  4. DOI: https://doi.org/10.1353/rnd.2012.0004
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  1. Hannah Arendt Strasse
  2. Julia Reinhard Lupton
  3. pp. 209-217
  4. DOI: https://doi.org/10.1353/rnd.2012.0007
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  1. Introduction
  2. William N. West
  3. pp. ix-xiv
  4. DOI: https://doi.org/10.1353/rnd.2012.0008
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  1. Notes on Contributors
  3. pp. 219-224
  4. DOI: https://doi.org/10.1353/rnd.2012.0011
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New Series 39, 2011