New Series 40, 2012

Table of Contents

Introduction

pp. ix-xiv
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Taking Stock

pp. 3-8
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Exclusive Of

pp. 9-17
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Renaissance and/or Early Modern Drama and/or Theater and/or Performance: A Dialogue

pp. 19-28
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Toward a New Theatricality?

pp. 29-35
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The Play’s Not the Thing

pp. 37-45
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The Dream of a Perfect History

pp. 47-56
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Acting and Ontology in Molière

pp. 57-70
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What’s the Worst Thing You Can Do to Shak/x/espeare?

pp. 71-89
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Recent Trends in Editing of Renaissance Drama Anthologies

pp. 91-100
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Authority and Theatrical Community: Early Modern Spanish Theater Manuscripts

pp. 101-112
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Defining the Proper Members of the Renaissance Theatrical Community

pp. 113-123
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No Field Is an Island: Postcolonial and Transnational Approaches to Early Modern Drama

pp. 125-133
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“Après le déluge, More Criticism”: Philology, Literary History, and Ancestral Reading in the Coming Posttranscription World

pp. 135-150
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Renaissance Drama: Future Directions

pp. 151-160
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Still No Precise Subject: The View from French

pp. 161-169
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The Work of Italian Theater

pp. 171-184
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William Shakespeare’s Regnal Connections: Whose Court Is This Anyway?

pp. 185-195
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Tragedy and Trauerspiel for the (Post-)Westphalian Age

pp. 197-208
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Hannah Arendt Strasse

pp. 209-217
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Notes on Contributors

pp. 219-224
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