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  Año 47, 2012

Table of Contents


A Note on Balzac and Galdós

pp. 11-21

Todo Clarín

pp. 23-34

"[E]l hombre se nos revela mejor": The Place of Photography and the Visual Arts in Misericordia

pp. 35-54

Nature and Culture in Pepita Jiménez

pp. 55-69


Galdós y Balzac

pp. 73-79

Selección de cartas cruzadas entre Concepcion Morell y Benito Perez Galdos durante 1892

pp. 81-97


Clío y la mágica peñola: Historia y novela (1885-1912) (review)

pp. 101-102

Studies in Honor of Vernon Chamberlin (review)

pp. 103-105

Galdós y Max Aub. Poéticas del realismo (review)

pp. 106-107

C'est ça le théâtre! Josep Yxart i el teatre del seu temps (review)

pp. 108-110

Obra crítica (1888-1908) (review)

pp. 111-112

Mapping the Social Body: Urbanisation, the Gaze, and the Novels of Galdós (review)

pp. 113-114

Marginal Subjects: Gender and Deviance in Fin-de-siècle Spain (review)

pp. 115-117

Gloria (review)

pp. 118-119

From the Outside Looking In: Narrative Frames and Narrative Spaces in the Short Stories of Emilia Pardo Bazán (review)

pp. 120-121

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