1. A Note on Balzac and Galdós
  2. Rodolfo Cardona
  3. pp. 11-21
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  1. Todo Clarín
  2. José Manuel González Herrán
  3. pp. 23-34
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  1. "[E]l hombre se nos revela mejor": The Place of Photography and the Visual Arts in Misericordia
  2. Curtiss Wasson
  3. pp. 35-54
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  1. Nature and Culture in Pepita Jiménez
  2. James Whiston
  3. pp. 55-69
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  1. Galdós y Balzac
  2. Carlos Ollero
  3. pp. 73-79
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  1. Selección de cartas cruzadas entre Concepcion Morell y Benito Perez Galdos durante 1892
  2. Mª de los Ángeles Rodríguez Sánchez
  3. pp. 81-97
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  1. Clío y la mágica peñola: Historia y novela (1885-1912) (review)
  2. Michael Adam Carroll
  3. pp. 101-102
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  1. Studies in Honor of Vernon Chamberlin (review)
  2. Alicia Cerezo Paredes
  3. pp. 103-105
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  1. Galdós y Max Aub. Poéticas del realismo (review)
  2. Santiago Fortuño Llorens
  3. pp. 106-107
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  1. C'est ça le théâtre! Josep Yxart i el teatre del seu temps (review)
  2. Mònica Fuertes-Arboix
  3. pp. 108-110
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  1. Obra crítica (1888-1908) (review)
  2. Cristina Patiño Eirín
  3. pp. 111-112
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  1. Mapping the Social Body: Urbanisation, the Gaze, and the Novels of Galdós (review)
  2. Dale J. Pratt
  3. pp. 113-114
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  1. Marginal Subjects: Gender and Deviance in Fin-de-siècle Spain (review)
  2. Jennifer Smith
  3. pp. 115-117
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  1. Gloria (review)
  2. Marisa Sotelo Vázquez
  3. pp. 118-119
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  1. From the Outside Looking In: Narrative Frames and Narrative Spaces in the Short Stories of Emilia Pardo Bazán (review)
  2. Joyce Tolliver
  3. pp. 120-121
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