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  Volume 19, Number 3, September 2012

Table of Contents

Mediamorphosis: Print Culture and Transatlantic/Transnational Public Sphere(s)

Editor's Introduction Mediamorphosis: Print Culture and Transatlantic/Transnational Public Sphere(s)

pp. v-vii | DOI: 10.1353/mod.2012.0067

Censorship, Puffing, "Piracy," Reprinting: British Decadence and Transatlantic Re-Mediations of Walter Pater, 1893-1910

pp. 419-435 | DOI: 10.1353/mod.2012.0071

Recirculation and Feminist Black Internationalism in Jessie Fauset's "The Looking Glass" and Amy Jacques Garvey's "Our Women and What They Think"

pp. 437-459 | DOI: 10.1353/mod.2012.0075

Complaints of Everyday Life: Feminist Periodical Culture and Correspondence Columns in The Woman Worker, Women Folk and The Freewoman

pp. 461-485 | DOI: 10.1353/mod.2012.0055

Imperial/Modernist Forms in the Illustrated London News

pp. 487-514 | DOI: 10.1353/mod.2012.0059

Wood Engravings, the "Marvellous Spread of Illustrated Publications," and the History of Art

pp. 515-542 | DOI: 10.1353/mod.2012.0062

Olive Beaupré Miller's My Book House: From William Morris to Modernism Under One Roof

pp. 543-567 | DOI: 10.1353/mod.2012.0065

Intermediality and the Problem of the Listener

pp. 569-592 | DOI: 10.1353/mod.2012.0069

Review Essays

Switching the Yeats Gestalt

pp. 593-599 | DOI: 10.1353/mod.2012.0073

Modern Spirit

pp. 601-605 | DOI: 10.1353/mod.2012.0053

Book Reviews

Disciplining Modernism (review)

pp. 607-609 | DOI: 10.1353/mod.2012.0057

Pragmatic Modernism (review)

pp. 609-611 | DOI: 10.1353/mod.2012.0061

Exotic Spaces in German Modernism (review)

pp. 611-613 | DOI: 10.1353/mod.2012.0064

Scottish & International Modernisms: Relationships & Reconfigurations (review)

pp. 614-615 | DOI: 10.1353/mod.2012.0068

A History of the Modern British Ghost Story (review)

pp. 616-617 | DOI: 10.1353/mod.2012.0072

Modernism and the Museum: Asian, African and Pacific Art and the London Avant-Garde (review)

pp. 617-619 | DOI: 10.1353/mod.2012.0052

Wyndham Lewis and the Cultures of Modernity (review)

pp. 619-621 | DOI: 10.1353/mod.2012.0056

Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression (review)

pp. 621-623 | DOI: 10.1353/mod.2012.0060

Sex, Violence, and the Avant-Garde: Anarchism in Interwar France (review)

pp. 623-625 | DOI: 10.1353/mod.2012.0063

The Ethics of William Carlos Williams's Poetry (review)

pp. 625-626 | DOI: 10.1353/mod.2012.0066

"Confessional" Writing and the Twentieth-Century Literary Imagination (review)

pp. 627-628 | DOI: 10.1353/mod.2012.0070

Carl Van Vechten and the Harlem Renaissance (review)

pp. 629-630 | DOI: 10.1353/mod.2012.0074

The Radical Camera: New York's Photo League 1936-1951 (review)

pp. 630-632 | DOI: 10.1353/mod.2012.0054

Recent Books of Interest

pp. 633-635 | DOI: 10.1353/mod.2012.0058

Research Areas


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