Volume 46, Number 4, Winter 2012

Table of Contents

“The Split-Screen Syndrome”: Structuring (Non)Seeing in Two Plays on Abu Ghraib

pp. 427-450
|

Brian Friel’s Transformation from Short Fiction Writer to Dramatist

pp. 451-474
|

Plays and Playcoats: A Courtly Interlude Tradition in Scotland?

pp. 475-496
|

Staging the Convent as Resistance in The Jew of Malta and Measure for Measure

pp. 497-516
|

Not to Be Altered”: Performance’s Efficacy and Audience Reaction in The Roman Actor

pp. 517-543
|

Reviews

The Tragic Paradox (review)

pp. 545-548
|

Memories of Chekhov: Accounts of the Writer from His Family, Friends, and Contemporaries (review)

pp. 548-551
|

Puppet: An Essay on Uncanny Life (review)

pp. 551-554
|

Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced (review)

pp. 554-557
|

Image Ethics in Shakespeare and Spenser (review)

pp. 557-559
|

Pioneer Performances: Staging the Frontier (review)

pp. 560-562
|

Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost (review)

pp. 563-565
|

Intimacy and Sexuality in the Age of Shakespeare (review)

pp. 565-568
|

Shaw, Plato, and Euripides: Classical Currents in “Major Barbara.” (review)

pp. 569-571
|

Brief Notices

pp. 573-577
|

Contributors

pp. 579-581
|