restricted access   Volume 12, Number 2, Fall 2012

Table of Contents

Editors’ Foreword

pp. vii-xi


“Is This Pay-TV to Be the End for Us?”: Film Exhibitors Confront Pay Television, 1968–76

pp. 2-40

Jasper Rigole’s Quixotic Art Experiments with Home Movies and Archival Practices: The International Institute for the Conservation, Archiving, and Distribution of Other People’s Memories (IICADOM)

pp. 42-69

Pittsburgh (1959): “Equilibriums of Paradox” and the Bicentennial City of Tomorrow

pp. 70-94

Round the World and Back Again: Mapping the Cultural and Historic Significance of the Adelaide Pearson Film Collection

pp. 96-120

Screening the Stage Irishman: Irish Masculinity in Early American Cinema, 1895–1907

pp. 122-147


Out of Print: The Changing Landscape of Print Accessibility for Repertory Programming

pp. 148-161

Restoring The Spanish Dancer (1923)

pp. 161-169



Stardust Monuments: The Saving and Selling of Hollywood (review)

pp. 170-172

Saving Cinema: The Politics of Preservation (review)

pp. 172-174

Blu-Rays and DVDS

The Phantom Carriage (1921) (review)

pp. 175-178

The Life and Times of Rosie the Riveter (review)

pp. 178-181

Treasures 5: The West, 1898–1938 (review)

pp. 181-186

Georges Méliès: First Wizard of Cinema (1896–1913), and: Georges Méliès Encore: New Discoveries (1896–1911) (review)

pp. 187-192


Welcome Back: Association of Moving Image Archivists Annual Conference (review)

pp. 193-198