restricted access   Volume 56, Number 4, Winter 2012 (T216)

Table of Contents

Special Consortium Issue: Precarity and Performance

Edited by Nicholas Ridout and Rebecca Schneider


p. ii

Precarity and Performance: An Introduction

pp. 5-9

Just-in-Time: Performance and the Aesthetics of Precarity

pp. 10-31

Occupational Realism

pp. 32-48

Reinventing Precarity

pp. 49-61

A Precarious Dance, a Derivative Sociality

pp. 62-77

"Work That Body": Precarity and Femininity in the New Economy

pp. 78-94

Towards an Idle Theatre: The Politics and Poetics of Foreplay

pp. 95-103

Cancer Previval and the Theatrical Fact

pp. 104-120

Handle with Care

pp. 121-135

The Scene of Occupation

pp. 136-149

It Seems As If...I Am Dead: Zombie Capitalism and Theatrical Labor

pp. 150-162

Precarity Talk: A Virtual Roundtable with Lauren Berlant, Judith Butler, Bojana Cvejić, Isabell Lorey, Jasbir Puar, and Ana Vujanović

pp. 163-177


Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde, and: Artaud and His Doubles (review)

pp. 178-180

NAME Readymade (review)

pp. 180-182

Contesting Performance: Global Sites of Research (review)

pp. 182-184

Theatre of Roots: Redirecting the Modern Indian Stage (review)

pp. 184-186

Troubling Vision: Performance, Visuality, and Blackness (review)

pp. 186-188

Illusive Utopia: Theater, Film, and Everyday Performance in North Korea (review)

pp. 188-190

More Books

pp. 190-192