1. From the Mast-Head
  2. John Bryant
  3. pp. 3-4
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  1. Subversive Designs in Clarel
  2. Basem L. Ra'ad
  3. pp. 6-17
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  1. Parables of Creation: Hawthorne, Melville, and Plato's Banquet
  2. Beverly R. Voloshin
  3. pp. 18-29
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  1. Between Book and Reality: The Guidebook in Redburn and Clarel
  2. Martyn Smith
  3. pp. 30-40
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  1. Translating between Civilizations: The Dragoman in Clarel's Nineteenth-Century Jerusalem
  2. Ada Lonni
  3. pp. 41-48
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  1. Agath and the Ephemeral Text in Melville's Clarel
  2. Wyn Kelley
  3. pp. 49-62
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  1. Melville's Process: Writing as Performing
  2. Ruggero Bianchi
  3. pp. 63-66
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  1. Character and the Space of Clarel
  2. Michael Jonik
  3. pp. 67-84
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  1. Paradiso Terrestre: America's Displaced Wilderness in Melville's Clarel
  2. Tim Wood
  3. pp. 85-97
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  1. Clarel and the American Centennial
  2. Cody Marrs
  3. pp. 98-114
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  1. Melville's Wired World: Media, Fact, and Faith in Clarel
  2. Thomas D. Zlatic
  3. pp. 115-127
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  1. The Bellipotent as Heterotopia, Total Institution, and Colony: Billy Budd and Other Spaces in Melville's Mediterranean
  2. Rodrigo Andrés
  3. pp. 128-134
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  1. Projections of the Holy Land: Melville's Journal through a Dual Lens
  2. Carolyn L. Karcher
  3. pp. 135-144
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  1. Melville, Holy Lands, and Settler-Colonial Studies
  2. Hilton Obenzinger
  3. pp. 145-156
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  1. All Astir
  2. Samuel Otter
  3. pp. 158-159
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