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Table of Contents

  1. "What Is Called Savagery": Race, Visual Perception, and Bodily Contact in Moby-Dick
  2. Joseph Fruscione
  3. pp. 3-24
  4. restricted access
  1. "A New Race Has Sprung Up": Prudence, Social Consensus and the Law in "Bartleby the Scrivener"
  2. John Matteson
  3. pp. 25-49
  4. restricted access
  1. "Ungraspable Phantom": Essays on Moby-Dick (review)
  2. Jonathan A. Cook
  3. pp. 53-59
  4. DOI: https://doi.org/10.1353/lvn.2008.a492847
  5. restricted access
  1. Tolerable Entertainment: Herman Melville and Professionalism in Antebellum New York (review)
  2. Tony McGowan
  3. pp. 60-65
  4. restricted access
  1. All Astir
  2. Wyn Kelley
  3. pp. 69-73
  4. restricted access
  1. Melville à la Polonaise
  2. Paweł Jędrzejko
  3. pp. 75-79
  4. restricted access
  1. The World is Flat
  2. Milton Reigelman
  3. pp. 81-84
  4. restricted access
  1. White Whales and Public Diplomacy: An American Cultural Attaché's Reflections on the August 2007 Melville and Conrad Conference in Poland
  2. James A. Wolfe
  3. pp. 85-89
  4. restricted access
  1. Crossing the Boundaries
  2. Malika Rebai Maamri
  3. pp. 91-94
  4. restricted access
  1. Cross-Cultural and Transatlantic Exchanges: (Post)Imperial Spa(i)n(ish) Matters in Melville
  2. María Felisa López Liquete
  3. pp. 95-98
  4. restricted access
  1. Light in August: Melville and Conrad in Poland
  2. Agnieszka Adamowicz-Pośpiech
  3. pp. 99-104
  4. restricted access
  1. Melville, Poland, and Tall Ships
  2. Christopher Sten
  3. pp. 105-107
  4. restricted access
  1. Poland Photo Album
  2. Wyn Kelley
  3. pp. 109-116
  4. restricted access