1. From the Mast-Head
  2. John Bryant
  3. pp. 3-7
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  1. "Entangled Rhyme": A Dialogic Reading of Melville's Battle-Pieces
  2. David Devries, Hugh Egan
  3. pp. 17-33
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  1. "They Answered Him Aloud": Popular Voice and Nationalist Discourse in Melville's Battle-Pieces
  2. Faith Barrett
  3. pp. 35-49
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  1. "An Old Sailor's Lament": Herman Melville, the Stone Fleet, and the Judgment of History
  2. Mary K. Bercaw Edwards
  3. pp. 51-64
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  1. Public Privacy: Melville's Coterie Authorship in John Marr and Other Sailors
  2. Matthew Giordano
  3. pp. 65-78
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  1. "Tears of the Happy": The Design of Darkness in "To Winnefred" and "The Year"
  2. Lyon Evans
  3. pp. 79-94
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  1. Ekphrastic Composites in "At the Hostelry": Van de Veldes, Tromps, and Trompes l'Oeil
  2. Dennis Berthold
  3. pp. 97-103
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  1. Poems
  2. Herman Melville
  3. pp. 107-138
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  1. Exiled Royalties: Melville and the Life We Imagine (review)
  2. John Wenke
  3. pp. 141-145
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  1. The Cultural Roots of American Islamicism (review)
  2. Brian Yothers
  3. pp. 146-149
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  1. All Astir
  2. Wyn Kelley
  3. pp. 153-155
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  1. Melville and the Meaning of Genre
  2. Elizabeth Renker
  3. p. 173
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  1. "From 'Fragments' to 'Rammon': Poetry as Consolation"
  2. Peter Norberg
  3. pp. 174-178
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  1. "Melville's 'The Encantadas': Genre and the Discourse Community of Putnam's Monthly"
  2. Walt Nott
  3. pp. 175-176
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  1. "'An Unaccountable Pair': Genre and Value in The Confidence-Man"
  2. Jason Corner
  3. pp. 176-177
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  1. "'Free Robe and Vest': Melville and the Uncollected Fragment"
  2. Wyn Kelley
  3. pp. 177-178
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  1. Melville the Poet: Introduction
  2. Elizabeth Renker, Douglas Robillard
  3. pp. 9-15
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