1. Towards an Ethics of Witnessing: Traumatic Testimony in Rebecca West’s The Return of the Soldier
  2. Nicole Rizzuto
  3. pp. 7-33
  4. DOI: 10.1353/lit.2012.0036
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  1. Conrad’s Literary Response to the First World War
  2. John G. Peters
  3. pp. 34-45
  4. DOI: 10.1353/lit.2012.0038
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  1. A Dark-Adapting Eye: Susanna Moore, Jane Campion, and the Fractured World of Postmodern Noir
  2. John Hodgkins
  3. pp. 46-68
  4. DOI: 10.1353/lit.2012.0040
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  1. Female Mate-Guarding in Lawrence’s “Wintry Peacock”: An Evolutionary Perspective
  2. Judith P. Saunders
  3. pp. 69-83
  4. DOI: 10.1353/lit.2012.0042
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  1. Schema Criticism: Literature, Cognitive Science, and Social Change
  2. Mark Bracher
  3. pp. 84-117
  4. DOI: 10.1353/lit.2012.0044
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  1. History and Place in the Nineteenth Century: Irving and Hawthorne in Westminster Abbey
  2. Steven Petersheim
  3. pp. 118-137
  4. DOI: 10.1353/lit.2012.0045
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  1. The Cambridge Companion to Thomas Pynchon (review)
  2. Ali Chetwynd
  3. pp. 142-145
  4. DOI: 10.1353/lit.2012.0037
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  1. The Comics of Chris Ware: Drawing is a Way of Thinking (review)
  2. Michael A. Pemberton
  3. pp. 145-147
  4. DOI: 10.1353/lit.2012.0039
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  1. Toni Morrison (review)
  2. Cynthia Dobbs
  3. pp. 148-149
  4. DOI: 10.1353/lit.2012.0041
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  1. The Cambridge Introduction to Edward Said (review)
  2. Karni Pal Bhati
  3. pp. 139-142
  4. DOI: 10.1353/lit.2012.0046
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  1. Books Received
  2. pp. 150-152
  3. DOI: 10.1353/lit.2012.0043
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