restricted access   Volume 42.2 (Fall 2012)

Table of Contents

From: Film & History: An Interdisciplinary Journal

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Introduction from the Editor

p. 4


From Censors to Critics: Representing “the People”

pp. 5-22

Morals, Markets, and “Horror Pictures”: The Rise of Universal Pictures and the Hollywood Production Code

pp. 23-37

Between Two Worlds: The Rains Came and Disaster

pp. 38-54

Jolly Old Sports: English Character, Comedy, and Cricket in The Lady Vanishes

pp. 55-70

Book Reviews

Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome (review)

pp. 73-75

Zaprudered: The Kennedy Assassination Film in Visual Culture (review)

pp. 72-73

Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for Political Philosopy (review)

pp. 75-77

The Best Years of Our Lives (review)

pp. 78-80

Destabilizing the Hollywood Musical: Music, Masculinity, and Mayhem (review)

pp. 80-82

Music Makes Me: Fred Astaire and Jazz (review)

pp. 83-86

Danny Boyle: Interviews (review)

pp. 86-88

Moscow Prime Time: How the Soviet Union Built the Media Empire That Lost the Cultural Cold War (review)

pp. 88-90

Neither God nor Master: Robert Bresson & Radical Politics (review)

pp. 90-94

Studying British Cinema 1999 – 2009 (review)

pp. 94-96

Gender, Nationalism and War: Conflict on the Movie Screen (review)

pp. 96-97

Film Reviews

El General (review)

pp. 99-101

United Red Army (review)

pp. 101-104

Living in Emergency (review)

pp. 105-107

Tomboy (review)

pp. 107-110

The James Dean Story (review)

pp. 110-113

Neshoba: The Price of Freedom (review)

pp. 113-115

Harvest of Loneliness/Cosecha Triste: The Bracero Program (review)

pp. 116-118

Full Battle Rattle (review)

pp. 118-122

The Day I was Not Born (review)

pp. 122-125

Garbo: The Spy (review)

pp. 125-127

Hey, Boo: Harper Lee & To Kill a Mockingbird (review)

pp. 127-129

Dive! (review)

pp. 130-131