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Table of Contents

  1. Debussy the Man, His Music, and His Legacy: An Overview of Current Research
  2. Jann Pasler
  3. pp. 197-216
  4. DOI: https://doi.org/10.1353/not.2012.0167
  5. restricted access
  1. Recycling Uhland: Brahms and the Wanderlieder
  2. William Horne
  3. pp. 217-259
  4. DOI: https://doi.org/10.1353/not.2012.0174
  5. restricted access
  1. Prices of Music Monographs and Scores as Reflected in Notes, 2006-2011
  2. Kerri Scannell Baunach
  3. pp. 260-267
  4. DOI: https://doi.org/10.1353/not.2012.0140
  5. restricted access
  1. Notes for Notes
  2. Honora Raphael, Ray Heigemier
  3. pp. 268-270
  4. DOI: https://doi.org/10.1353/not.2012.0146
  5. restricted access
  1. Directions in Music Cataloging (review)
  2. Casey A. Mullin
  3. pp. 271-274
  4. DOI: https://doi.org/10.1353/not.2012.0152
  5. restricted access
  1. Mozart and Enlightenment Semiotics (review)
  2. Kofi Agawu
  3. pp. 274-277
  4. DOI: https://doi.org/10.1353/not.2012.0158
  5. restricted access
  1. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition (review)
  2. Jonathan Kregor
  3. pp. 277-279
  4. DOI: https://doi.org/10.1353/not.2012.0164
  5. restricted access
  1. Boccherini Studies 3 (review)
  2. John Moran
  3. pp. 279-281
  4. DOI: https://doi.org/10.1353/not.2012.0171
  5. restricted access
  1. Beethoven's Immortal Beloved: Solving the Mystery (review)
  2. James K. Wright
  3. pp. 281-284
  4. DOI: https://doi.org/10.1353/not.2012.0178
  5. restricted access
  1. The Instrumental Music of Iannis Xenakis: Theory, Practice, Self-Borrowing (review)
  2. Martin Iddon
  3. pp. 284-286
  4. DOI: https://doi.org/10.1353/not.2012.0144
  5. restricted access
  1. The John Ireland Companion (review)
  2. Taylor J. Greene
  3. pp. 286-288
  4. DOI: https://doi.org/10.1353/not.2012.0150
  5. restricted access
  1. Gunther Schuller: A Life in Pursuit of Music and Beauty (review)
  2. Lars Helgert
  3. pp. 289-290
  4. DOI: https://doi.org/10.1353/not.2012.0156
  5. restricted access
  1. Ferruccio Busoni im Briefwechsel mit seinem Verlag Breitkopf & Härtel (review)
  2. Erinn Knyt
  3. pp. 290-292
  4. DOI: https://doi.org/10.1353/not.2012.0162
  5. restricted access
  1. Analyzing Schubert, and: Vanishing Sensibilities: Schubert, Beethoven, Schumann, and: Schubert's Fingerprints: Studies in the Instrumental Works (review)
  2. Geoffrey Block
  3. pp. 292-303
  4. DOI: https://doi.org/10.1353/not.2012.0169
  5. restricted access
  1. The Song Cycle (review)
  2. Jennifer Ronyak
  3. pp. 303-306
  4. DOI: https://doi.org/10.1353/not.2012.0176
  5. restricted access
  1. Italian Opera in the Age of the American Revolution (review)
  2. Claudio Vellutini
  3. pp. 306-308
  4. DOI: https://doi.org/10.1353/not.2012.0142
  5. restricted access
  1. Operatic Afterlives (review)
  2. Nicola Badolato
  3. pp. 308-310
  4. DOI: https://doi.org/10.1353/not.2012.0148
  5. restricted access
  1. Le Concours du prix de Rome de musique (1803-1968) (review)
  2. Christopher Brent Murray
  3. pp. 310-314
  4. DOI: https://doi.org/10.1353/not.2012.0154
  5. restricted access
  1. Unmasking Ravel: New Perspectives on the Music (review)
  2. Timothy B. Cochran
  3. pp. 314-317
  4. DOI: https://doi.org/10.1353/not.2012.0160
  5. restricted access
  1. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene (review)
  2. Tom Moore
  3. pp. 317-319
  4. DOI: https://doi.org/10.1353/not.2012.0166
  5. restricted access
  1. Antonio Carlos Jobim: An Illuminated Man (review)
  2. Mark C. Gridley
  3. pp. 319-320
  4. DOI: https://doi.org/10.1353/not.2012.0173
  5. restricted access
  1. Ethnomusicological Encounters with Music and Musicians: Essays in Honor of Robert Garfias (review)
  2. Sonia Archer-Capuzzo
  3. pp. 320-323
  4. DOI: https://doi.org/10.1353/not.2012.0139
  5. restricted access
  1. Embodying Mexico: Tourism, Nationalism, and Performance (review)
  2. Nolan Warden
  3. pp. 323-325
  4. DOI: https://doi.org/10.1353/not.2012.0145
  5. restricted access
  1. Morrissey: Fandom, Representation, and Identities (review)
  2. Kevin Schwandt
  3. pp. 325-327
  4. DOI: https://doi.org/10.1353/not.2012.0151
  5. restricted access
  1. Idolized: Music, Media, and Identity in American Idol (review)
  2. Elizabeth Whittenburg Ozment
  3. pp. 327-328
  4. DOI: https://doi.org/10.1353/not.2012.0157
  5. restricted access
  1. Music Makes Me: Fred Astaire and Jazz (review)
  2. Sarah Caissie Provost
  3. pp. 329-330
  4. DOI: https://doi.org/10.1353/not.2012.0163
  5. restricted access
  1. To Broadway, To Life: The Musical Theater of Bock and Harnick (review)
  2. Elizabeth A. Wells
  3. pp. 330-332
  4. DOI: https://doi.org/10.1353/not.2012.0170
  5. restricted access
  1. Robert Bloom: The Story of a Working Musician (review)
  2. Anna Nekola
  3. pp. 332-334
  4. DOI: https://doi.org/10.1353/not.2012.0177
  5. restricted access
  1. Blas- und Bläsermusik. Musik zwischen Volksmusik, volkstümlicher Musik, Militärmusik und Kunstmusik (review)
  2. Damien Sagrillo
  3. pp. 334-336
  4. DOI: https://doi.org/10.1353/not.2012.0143
  5. restricted access
  1. Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois et bonne estrenne (review)
  2. Darwin F. Scott
  3. pp. 336-345
  4. DOI: https://doi.org/10.1353/not.2012.0149
  5. restricted access
  1. Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music (review)
  2. Mark A. Peters
  3. pp. 345-347
  4. DOI: https://doi.org/10.1353/not.2012.0155
  5. restricted access
  1. Thematic Catalogue of Troubadour and Trouvère Melodies (review)
  2. Jennifer Saltzstein
  3. pp. 347-349
  4. DOI: https://doi.org/10.1353/not.2012.0161
  5. restricted access
  1. Pop Song Piracy: Disobedient Music Distribution since 1929 (review)
  2. Tammy Ravas
  3. pp. 349-352
  4. DOI: https://doi.org/10.1353/not.2012.0168
  5. restricted access
  1. Books Recently Published
  2. Karen R. Little, James Procell
  3. pp. 353-391
  4. DOI: https://doi.org/10.1353/not.2012.0175
  5. restricted access
  1. Répertoire International des Sources Musicales A/I: Einzeldrucke vor 1800 (CD-ROM) (review)
  2. Stephen Henry
  3. pp. 392-396
  4. DOI: https://doi.org/10.1353/not.2012.0141
  5. restricted access
  1. Hymnary.org: a comprehensive index of hymns and hymnals (review)
  2. Lindy Smith
  3. pp. 396-398
  4. DOI: https://doi.org/10.1353/not.2012.0147
  5. restricted access
  1. Messe in H-Moll, BWV 232 (review)
  2. Daniel F. Boomhower
  3. pp. 399-402
  4. DOI: https://doi.org/10.1353/not.2012.0153
  5. restricted access
  1. Keyboard Studies nos. 1 & 2: For Piano, and: The Walrus in Memoriam: For Piano Solo, and: Be Kind to One Another (Rag): For Piano Solo (review)
  2. Kyle Fyr
  3. pp. 402-405
  4. DOI: https://doi.org/10.1353/not.2012.0159
  5. restricted access
  1. Communications
  2. Andzrej Pawloswki
  3. p. 418
  4. DOI: https://doi.org/10.1353/not.2012.0172
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 406-417
  4. DOI: https://doi.org/10.1353/not.2012.0165
  5. restricted access