1. In the Mood for Thought: Feeling and Thinking in Philosophy
  2. René Rosfort, Giovanni Stanghellini
  3. pp. 395-417
  4. DOI: 10.1353/nlh.2012.0031
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  1. Moods and the Meaning of Philosophy
  2. Lars Svendsen
  3. pp. 419-431
  4. DOI: 10.1353/nlh.2012.0033
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  1. Thought in the Strenuous Mood: Pragmatism as a Philosophy of Feeling
  2. Richard Shusterman
  3. pp. 433-454
  4. DOI: 10.1353/nlh.2012.0023
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  1. Art Moods and Human Moods in Narrative Cinema
  2. Carl Plantinga
  3. pp. 455-475
  4. DOI: 10.1353/nlh.2012.0025
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  1. Towards a Phenomenology of Cinematic Mood: Boredom and the Affect of Time in Antonioni’s L’eclisse
  2. John Rhym
  3. pp. 477-501
  4. DOI: 10.1353/nlh.2012.0027
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  1. How A Revolutionary Counter-Mood Is Made
  2. Jonathan Flatley
  3. pp. 503-525
  4. DOI: 10.1353/nlh.2012.0028
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  1. In the Mood for Revolution: Emma Goldman’s Passion
  2. Clare Hemmings
  3. pp. 527-545
  4. DOI: 10.1353/nlh.2012.0030
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  1. The Languorous Critic
  2. Ellis Hanson
  3. pp. 547-564
  4. DOI: 10.1353/nlh.2012.0032
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  1. Precocious Jouissance: Roland Barthes, Amatory Maladjustment, and Emotion
  2. Jane Gallop
  3. pp. 565-582
  4. DOI: 10.1353/nlh.2012.0034
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  1. Introduction
  2. Rita Felski, Susan Fraiman
  3. pp. v-xii
  4. DOI: 10.1353/nlh.2012.0029
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  1. Contributors
  2. pp. 583-584
  3. DOI: 10.1353/nlh.2012.0024
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  1. Books Received
  2. pp. 585-586
  3. DOI: 10.1353/nlh.2012.0026
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