1. Inventing Intervals: The Digital Image in Metropolis and Gankutsuō
  2. Marc Steinberg
  3. pp. 3-22
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  1. Takahashi Macoto: The Origin of Shōjo Manga Style
  2. Fujimoto Yukari, Matt Thorn
  3. pp. 24-55
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  1. The Face in the Shadow of the Camera: Corporeality of the Photographer in Kanai Mieko’s Narratives
  2. Atsuko Sakaki
  3. pp. 57-76
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  1. Kamishibai and the Art of the Interval
  2. Sharalyn Orbaugh
  3. pp. 78-100
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  1. Hokusai’s Lines of Sight
  2. Timon Screech
  3. pp. 103-109
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  1. Superflat and the Postmodern Gothic: Images of Western Modernity in Kuroshitsuji
  2. Waiyee Loh
  3. pp. 111-127
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  1. From Techno-cute to Superflat: Robots and Asian Architectural Futures
  2. Davi Beynon
  3. pp. 129-148
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  1. Dying in Two Dimensions: Genji emaki and the Wages of Depth Perception
  2. Reginald Jackson
  3. pp. 149-172
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  1. Image Essay: Mobile Worldviews
  2. Stefan Riekeles, Thomas Lamarre
  3. pp. 173-188
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  1. Topologies of Identity in Serial Experiments Lain
  2. Craig Jackson
  3. pp. 191-201
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  1. From Superflat Windows to Facebook Walls: Mobility and Multiplicity of an Animated Shopping Gaze
  2. Jinying Li
  3. pp. 203-221
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  1. New Halves, Old Selves: Reincarnation and Transgender Identification in Ōshima Yumiko’s Tsurubara-tsurubara
  2. Emily Somers
  3. pp. 223-246
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  1. Audiovisual Redundancy and Remediation in Ninja bugeichō
  2. Yuriko Furuhata
  3. pp. 249-262
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  1. Moving the Horizon: Violence and Cinematic Revolution in Ōshima Nagisa’s Ninja bugeichō
  2. Miryam Sas
  3. pp. 264-280
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  1. Anatomy of Permutational Desire, Part III: The Artificial Woman and the Perverse Structure of Modernity
  2. Livia Monnet
  3. pp. 282-297
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  1. Radical Perspectivalism
  2. Thomas Lamarre
  3. pp. ix-xviii
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  1. Contributors
  2. pp. 299-300
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