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Table of Contents

  1. Temperance and the End of Time: Emblematic Antony and Cleopatra
  2. Christopher Wortham
  3. pp. 1-37
  4. DOI: https://doi.org/10.1353/cdr.1995.0030
  5. restricted access
  1. The Masks of Cupid and Death
  2. Judith Dundas
  3. pp. 38-60
  4. DOI: https://doi.org/10.1353/cdr.1995.0038
  5. restricted access
  1. Spring and Winter in Love's Labor's Lost: An Iconographic Reconstruction
  2. Frederick Kiefer
  3. pp. 91-107
  4. DOI: https://doi.org/10.1353/cdr.1995.0004
  5. restricted access
  1. Jonson and the Emblematic Tradition: Ralegh, Brant, the Poems, The Alchemist, and Volpone
  2. Robert C. Evans
  3. pp. 108-132
  4. DOI: https://doi.org/10.1353/cdr.1995.0012
  5. restricted access
  1. Speaking Sweat: Emblems in the Plays of John Ford
  2. Lisa Hopkins
  3. pp. 133-146
  4. DOI: https://doi.org/10.1353/cdr.1995.0020
  5. restricted access
  1. Emblematic Pictures for the Less Privileged in Shakespeare's England
  2. Elizabeth Truax
  3. pp. 147-167
  4. DOI: https://doi.org/10.1353/cdr.1995.0027
  5. restricted access
  1. Quarles as Dramatist
  2. Elizabeth K. Hill
  3. pp. 168-182
  4. DOI: https://doi.org/10.1353/cdr.1995.0035
  5. restricted access