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  Volume 20, 2012

Table of Contents

Gods and Groundlings: Historical Theatrical Audiences


pp. 5-7 | DOI: 10.1353/tsy.2012.0008

Making Up the Audience: Spectatorship in Historical Context

pp. 8-22 | DOI: 10.1353/tsy.2012.0010

The Matinee Audience in Peril: The Syndicate's Mr. Bluebeard and the Iroquois Theatre Fire

pp. 23-29 | DOI: 10.1353/tsy.2012.0012

Prosceniums and Screens: Audience Embodiment into the Digital Age

pp. 30-38 | DOI: 10.1353/tsy.2012.0001

Annie Oakley and the Disruption of Victorian Expectations

pp. 39-48 | DOI: 10.1353/tsy.2012.0003

Thomas King at Sadler's Wells and Drury Lane: How the Audience (Mis)Read Management

pp. 49-55 | DOI: 10.1353/tsy.2012.0005

Image-Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience

pp. 56-65 | DOI: 10.1353/tsy.2012.0007

Anxious Audiences and the Early Modern English Transvestite Theatre

pp. 66-73 | DOI: 10.1353/tsy.2012.0009

Neglected Evidence: Interpreting the Site of an Elizabethan Royal Entertainment

pp. 74-85 | DOI: 10.1353/tsy.2012.0011

Creating Ideal Audiences: Ludwig Tieck and German Access to Shakespeare

pp. 86-96 | DOI: 10.1353/tsy.2012.0000

Shuffling Roles: Alterations and Audiences in Shuffle Along

pp. 97-108 | DOI: 10.1353/tsy.2012.0002

When Audiences Attack: The Manhandling of Actress and Activist Kitty Marion

pp. 109-121 | DOI: 10.1353/tsy.2012.0004


pp. 123-125 | DOI: 10.1353/tsy.2012.0006

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