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  Volume 20, 2012

Table of Contents

Gods and Groundlings: Historical Theatrical Audiences


pp. 5-7

Making Up the Audience: Spectatorship in Historical Context

pp. 8-22

The Matinee Audience in Peril: The Syndicate's Mr. Bluebeard and the Iroquois Theatre Fire

pp. 23-29

Prosceniums and Screens: Audience Embodiment into the Digital Age

pp. 30-38

Annie Oakley and the Disruption of Victorian Expectations

pp. 39-48

Thomas King at Sadler's Wells and Drury Lane: How the Audience (Mis)Read Management

pp. 49-55

Image-Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience

pp. 56-65

Anxious Audiences and the Early Modern English Transvestite Theatre

pp. 66-73

Neglected Evidence: Interpreting the Site of an Elizabethan Royal Entertainment

pp. 74-85

Creating Ideal Audiences: Ludwig Tieck and German Access to Shakespeare

pp. 86-96

Shuffling Roles: Alterations and Audiences in Shuffle Along

pp. 97-108

When Audiences Attack: The Manhandling of Actress and Activist Kitty Marion

pp. 109-121


pp. 123-125

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