Volume 20, 2012

Table of Contents

Gods and Groundlings: Historical Theatrical Audiences

Introduction

pp. 5-7
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Making Up the Audience: Spectatorship in Historical Context

pp. 8-22
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The Matinee Audience in Peril: The Syndicate's Mr. Bluebeard and the Iroquois Theatre Fire

pp. 23-29
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Prosceniums and Screens: Audience Embodiment into the Digital Age

pp. 30-38
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Annie Oakley and the Disruption of Victorian Expectations

pp. 39-48
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Thomas King at Sadler's Wells and Drury Lane: How the Audience (Mis)Read Management

pp. 49-55
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Image-Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience

pp. 56-65
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Anxious Audiences and the Early Modern English Transvestite Theatre

pp. 66-73
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Neglected Evidence: Interpreting the Site of an Elizabethan Royal Entertainment

pp. 74-85
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Creating Ideal Audiences: Ludwig Tieck and German Access to Shakespeare

pp. 86-96
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Shuffling Roles: Alterations and Audiences in Shuffle Along

pp. 97-108
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When Audiences Attack: The Manhandling of Actress and Activist Kitty Marion

pp. 109-121
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Contributors

pp. 123-125
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