1. Making Up the Audience: Spectatorship in Historical Context
  2. Susan Bennett
  3. pp. 8-22
  4. DOI: 10.1353/tsy.2012.0010
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  1. The Matinee Audience in Peril: The Syndicate's Mr. Bluebeard and the Iroquois Theatre Fire
  2. Jane Barnette
  3. pp. 23-29
  4. DOI: 10.1353/tsy.2012.0012
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  1. Prosceniums and Screens: Audience Embodiment into the Digital Age
  2. Becky Becker
  3. pp. 30-38
  4. DOI: 10.1353/tsy.2012.0001
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  1. Annie Oakley and the Disruption of Victorian Expectations
  2. Lisa Bernd
  3. pp. 39-48
  4. DOI: 10.1353/tsy.2012.0003
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  1. Thomas King at Sadler's Wells and Drury Lane: How the Audience (Mis)Read Management
  2. Evan Bridenstine
  3. pp. 49-55
  4. DOI: 10.1353/tsy.2012.0005
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  1. Image-Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience
  2. Michael Jaros
  3. pp. 56-65
  4. DOI: 10.1353/tsy.2012.0007
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  1. Anxious Audiences and the Early Modern English Transvestite Theatre
  2. Robert I. Lublin
  3. pp. 66-73
  4. DOI: 10.1353/tsy.2012.0009
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  1. Neglected Evidence: Interpreting the Site of an Elizabethan Royal Entertainment
  2. Paulette Marty
  3. pp. 74-85
  4. DOI: 10.1353/tsy.2012.0011
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  1. Creating Ideal Audiences: Ludwig Tieck and German Access to Shakespeare
  2. Natalie Tenner
  3. pp. 86-96
  4. DOI: 10.1353/tsy.2012.0000
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  1. Shuffling Roles: Alterations and Audiences in Shuffle Along
  2. David S. Thompson
  3. pp. 97-108
  4. DOI: 10.1353/tsy.2012.0002
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  1. When Audiences Attack: The Manhandling of Actress and Activist Kitty Marion
  2. Christine Woodworth
  3. pp. 109-121
  4. DOI: 10.1353/tsy.2012.0004
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  1. Introduction
  2. E. Bert Wallace
  3. pp. 5-7
  4. DOI: 10.1353/tsy.2012.0008
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  1. Contributors
  2. pp. 123-125
  3. DOI: 10.1353/tsy.2012.0006
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