1. The Color of Manhood: Reconsidering Pompey in John Ford's The Man Who Shot Liberty Valance
  2. Abigail Horne
  3. pp. 5-27
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  1. "You Talkin' Revolution, Sweetback": On Sweet Sweetback's Baadasssss Song and Revolutionary Filmmaking
  2. Benjamin Wiggins
  3. pp. 28-52
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  1. Tuning into Precious: The Black Women's Empowerment Adaptation and the Interruptions of the Absurd
  2. Erica R. Edwards
  3. pp. 74-95
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  1. The Precarious Politics of Precious: A Close Reading of a Cinematic Text
  2. Mia Mask
  3. pp. 96-116
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  1. Dialectical Mediation: The Play of Fantasy and Reality in Precious
  2. Katie M. Kanagawa
  3. pp. 117-138
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  1. "I Think I Was Rape": Black Feminist Readings of Affect and Incest in Precious
  2. Régine Michelle Jean-Charles
  3. pp. 139-160
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  1. Push, Precious, and New Narratives of Slavery in Harlem
  2. Riché Richardson
  3. pp. 161-180
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  1. Acting Out: Counterliteracy Beyond the Ree(a)l
  2. Honey Crawford
  3. pp. 181-191
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  1. The Counterliteracy of Postmelancholy
  2. Margo Natalie Crawford
  3. pp. 192-209
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  1. The Abject and the Grotesque: Broken Bodies, Broken Dreams, and the Lost Promise of Harlem
  2. Carol E. Henderson
  3. pp. 210-214
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  1. A Collective Appetite: Reception and the White Gaze from Shange to Sapphire
  2. Rebecca Morgan Frank
  3. pp. 215-219
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  1. Close-Up Gallery: Precious
  2. David C. Wall
  3. pp. 220-233
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  1. Representing the Itsembabwoko
  2. Olivier Barlet, Melissa Thackway
  3. pp. 234-251
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  1. Second Skin: Josephine Baker and the Modern Surface (review)
  2. Matthew Pratt Guterl
  3. pp. 252-254
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  1. Archive Spotlight: The Image of Black Women in Film Advertising as Seen in the BFC/A's Hatch-Billops Collection
  2. Paul C. Heyde
  3. pp. 255-260
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  1. Professional Notes and Research Resources
  2. pp. 261-268
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  1. Editor's Notes
  2. pp. 1-2
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  1. "They Look Way Above Me, Put Me Out of Their Eyes": Seeing the Subjects in Precious: An Introduction in Two Parts
  2. Suzette Spencer
  3. pp. 53-73
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  1. Notes on Contributors
  2. pp. 269-271
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