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In this Issue

Table of Contents

  1. Film, Document, and the Historian
  2. Patrick Griffin
  3. pp. 14-21
  4. DOI: https://doi.org/10.1353/flm.1972.a487419
  5. restricted access
  1. The Making of Goodbye Billy
  2. Patrick Griffin
  3. pp. 17-22
  4. DOI: https://doi.org/10.1353/flm.1972.a487420
  5. restricted access
  1. Brechts Kuhle Wampe: An Expression of Communism in the Weimar Republic
  2. David Schoenbaum
  3. pp. 22-27
  4. DOI: https://doi.org/10.1353/flm.1972.a487421
  5. restricted access
  1. Circumstances Within Our Control: Television As a Synthesizer of Multi-Media Teaching Resources
  2. Thomas Cripps
  3. pp. 27-31
  4. DOI: https://doi.org/10.1353/flm.1972.a487422
  5. restricted access
  1. World War II Films As Propaganda
  2. Taylor Stults
  3. pp. 31-36
  4. DOI: https://doi.org/10.1353/flm.1972.a487423
  5. restricted access
  1. The Rhode Island Historical Society Film Archive
  2. Barbara Humphrys
  3. pp. 36-38
  4. DOI: https://doi.org/10.1353/flm.1972.a487424
  5. restricted access
  1. Film & History News
  3. pp. 39-41
  4. DOI: https://doi.org/10.1353/flm.1972.a487425
  5. restricted access
  1. The Sorrow and the Pity (review)
  2. Martin A. Jackson
  3. pp. 41-42
  4. restricted access
  1. Russia (review)
  2. Jack Mazelis
  3. pp. 42-44
  4. restricted access
  1. The Island Called Ellis (review)
  2. Jacob L. Susskind
  3. pp. 44-45
  4. restricted access
  1. The Journals of Lewis and Clark (review)
  2. Marvin Fletcher
  3. p. 45
  4. restricted access
  1. Focus on Paul Revere (review)
  2. Louis C. Smith
  3. p. 45
  4. restricted access
  1. Nightmare in Red (review)
  2. Taylor Stults
  3. pp. 45-46
  4. restricted access
  1. Letters
  2. Vernon O. Stumpf, Arthur L. Smith
  3. pp. 47-48
  4. restricted access
  1. Source Notes
  3. pp. 46-47
  4. DOI: https://doi.org/10.1353/flm.1972.a487432
  5. restricted access