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  Volume 26, Number 1, Spring 1992

Table of Contents

From: Comparative Drama

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Windings and Turnings: The Metaphoric Labyrinth of Restoration Dramatic Theory

pp. 1-18 | DOI: 10.1353/cdr.1992.0011

Performers and Performance in the Earliest Serious Secular Plays in the Netherlands

pp. 19-33 | DOI: 10.1353/cdr.1992.0017

Memory and Madness in Pirandello's Enrico IV

pp. 34-57 | DOI: 10.1353/cdr.1992.0023

The Regnum Humanitatis Trilogy: A Humanist Manifesto

pp. 58-72 | DOI: 10.1353/cdr.1992.0029


The End Crowns All: Closure and Contradiction in Shakespeare's History by Barbara Hodgdon (review)

pp. 73-76 | DOI: 10.1353/cdr.1992.0034

Restoration and Georgian England, 1660-1788 ed. by David Thomas and Arnold Hare (review)

pp. 76-77 | DOI: 10.1353/cdr.1992.0004

Herefordshire, Worcestershire ed. by David N. Klausner (review)

pp. 78-80 | DOI: 10.1353/cdr.1992.0009

International Bibliography of Theatre: 1985 ed. by Berito Ortolani (review)

pp. 80-83 | DOI: 10.1353/cdr.1992.0015

Shakespeare on the German Stage , I: 1586-1914 by Simon Williams (review)

pp. 83-85 | DOI: 10.1353/cdr.1992.0021

The N-Town Passion by Robert Cohen (review)

pp. 86-88 | DOI: 10.1353/cdr.1992.0027

"The Noise of Threatening Drum": Dramatic Strategy and Political Ideology in Shakespeare and the English Chronicle Plays by Larry S. Champion (review)

pp. 88-91 | DOI: 10.1353/cdr.1992.0032

The Theatre of Medieval Europe: New Research in Early Drama ed. by Eckehard Simon (review)

pp. 91-92 | DOI: 10.1353/cdr.1992.0002

Shakespeare, Jonson, and the Myth of Venice by David McPherson (review)

pp. 92-94 | DOI: 10.1353/cdr.1992.0007

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