restricted access   Volume 26, Number 1, Spring 1992

Table of Contents

From: Comparative Drama

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Windings and Turnings: The Metaphoric Labyrinth of Restoration Dramatic Theory

pp. 1-18

Performers and Performance in the Earliest Serious Secular Plays in the Netherlands

pp. 19-33

Memory and Madness in Pirandello's Enrico IV

pp. 34-57

The Regnum Humanitatis Trilogy: A Humanist Manifesto

pp. 58-72


The End Crowns All: Closure and Contradiction in Shakespeare's History by Barbara Hodgdon (review)

pp. 73-76

Restoration and Georgian England, 1660-1788 ed. by David Thomas and Arnold Hare (review)

pp. 76-77

Herefordshire, Worcestershire ed. by David N. Klausner (review)

pp. 78-80

International Bibliography of Theatre: 1985 ed. by Berito Ortolani (review)

pp. 80-83

Shakespeare on the German Stage , I: 1586-1914 by Simon Williams (review)

pp. 83-85

The N-Town Passion by Robert Cohen (review)

pp. 86-88

"The Noise of Threatening Drum": Dramatic Strategy and Political Ideology in Shakespeare and the English Chronicle Plays by Larry S. Champion (review)

pp. 88-91

The Theatre of Medieval Europe: New Research in Early Drama ed. by Eckehard Simon (review)

pp. 91-92

Shakespeare, Jonson, and the Myth of Venice by David McPherson (review)

pp. 92-94