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  Volume 93, Number 3, August 2012

Table of Contents

Christian Gottlob Neefe and the Bonn National Theatre, with New Light on the Beethoven Family

pp. 289-315

How to Make a ‘Volkslied’: Early Models in the Songs of Johannes Brahms

pp. 316-349

Music and ‘Weltanschauung’: Franz Brendel and the Claims of Universal History

pp. 350-373

Remembering Debussy in Interwar France: Authority, Musicology, and Legacy

pp. 374-393


The Culture of Kitharôidia (review)

pp. 394-396

Musik des Mittelalters und der Renaissance: Festschrift Klaus-Jürgen Sachs zum 80. Geburtstag (review)

pp. 396-397

Guillaume de Machaut: Secretary, Poet, Musician (review)

pp. 397-399

The Carole: A Study of a Medieval Dance (review)

pp. 399-401

‘The Temple of Music’ by Robert Fludd (review)

pp. 401-404

Broken Harmony: Shakespeare and the Politics of Music (review)

pp. 404-406

Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois, et bonne estrenne (review)

pp. 406-409

Mozart and the Nazis: How the Third Reich Abused a Cultural Icon (review)

pp. 409-411

The Life of Schumann (review)

pp. 411-413

The New Bruckner: Compositional Developments and the Dynamics of Revision (review)

pp. 413-416

Voice Lessons: French Mélodie in the Belle Epoque (review)

pp. 416-419

Le Répertoire de l’Opéra de Paris (1671–2009): Analyse et interprétation (review)

pp. 420-422

Mahler’s Voices: Expression and Irony in the Songs and Symphonies (review)

pp. 422-425

The Cambridge Companion to Richard Strauss (review)

pp. 425-428

Aus einem Totenhaus’: Leoš Janáčeks letzte Oper (review)

pp. 428-429

Bedřich Smetana a jeho korespondence/and his Correspondence (review)

pp. 429-430

The New Percy Grainger Companion (review)

pp. 430-433

In Search of Song: The Life and Times of Lucy Broadwood (review)

pp. 433-435

Georges Catoire: Seine Musik, sein Leben, seine Ausstrahlung (review)

pp. 435-436

Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981 (review)

pp. 436-438

The Last of the Minstrels: Yeats and the Revival of the Bardic Arts (review)

pp. 438-441

Operatic Afterlives (review)

pp. 441-443

Towards a Twenty-First-Century Feminist Politics of Music (review)

pp. 443-445

Creative License: The Law and Culture of Digital Sampling (review)

pp. 446-448

‘Music & Letters’ Awards

p. 450

Authors of articles in this Issue

p. 450

Books Received

p. 451

Research Areas


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