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Table of Contents

  1. Riptide Milagro, and: On the Malecón
  2. Dana Roeser
  3. pp. 7-16
  4. DOI: https://doi.org/10.1353/psg.2012.0095
  5. restricted access
  1. Snow Day, and: The Sorrow Triptych, and: The Arts, and: The Moment on Stage II, and: The Beginning of Time, and: Anger: The Rape
  2. Alicia Ostriker
  3. pp. 17-22
  4. DOI: https://doi.org/10.1353/psg.2012.0102
  5. restricted access
  1. Making Lunch, and: Patience
  2. Joseph Millar
  3. pp. 22-24
  4. DOI: https://doi.org/10.1353/psg.2012.0109
  5. restricted access
  1. Coughing, and: Grey Birds, and: Snail
  2. Dan Gerber
  3. pp. 25-27
  4. DOI: https://doi.org/10.1353/psg.2012.0116
  5. restricted access
  1. Tiger in the Glass
  2. Ted Kehoe
  3. pp. 28-43
  4. DOI: https://doi.org/10.1353/psg.2012.0080
  5. restricted access
  1. Thanksgiving at the Brewsters, and: First Duck, and: Edible Arrangement, and: Dead Buddha, and: Indigestion, and: Dogdom
  2. Marilyn Chin
  3. pp. 44-50
  4. DOI: https://doi.org/10.1353/psg.2012.0086
  5. restricted access
  1. The Set-Aside That Becomes the Swept-Aside, and: The Whitest White in the Black & White Movie
  2. Nance Van Winckel
  3. pp. 50-51
  4. DOI: https://doi.org/10.1353/psg.2012.0092
  5. restricted access
  1. Hollyhocks
  2. Max Garland
  3. p. 52
  4. DOI: https://doi.org/10.1353/psg.2012.0099
  5. restricted access
  1. The Canary Keeper
  2. Dinah Cox
  3. pp. 53-64
  4. DOI: https://doi.org/10.1353/psg.2012.0106
  5. restricted access
  1. Summer Splendor, and: For My Father, Karachi 1947
  2. Meena Alexander
  3. pp. 65-67
  4. DOI: https://doi.org/10.1353/psg.2012.0113
  5. restricted access
  1. Living on Coffee and Flowers
  2. J. Bradley
  3. pp. 67-68
  4. DOI: https://doi.org/10.1353/psg.2012.0077
  5. restricted access
  1. Sivka-Burka, and: A Is for Air, and: Interstate, and: Notes from a Northern State
  2. Angela Sorby
  3. pp. 68-72
  4. DOI: https://doi.org/10.1353/psg.2012.0084
  5. restricted access
  1. Practice, and: Boy on Boy
  2. Max Somers
  3. pp. 73-74
  4. DOI: https://doi.org/10.1353/psg.2012.0090
  5. restricted access
  1. Reading Neruda’s “Ode to the Onion”, and: When You Bring in the Paper, and: Ode to Invisibility
  2. Ellen Bass
  3. pp. 74-78
  4. DOI: https://doi.org/10.1353/psg.2012.0097
  5. restricted access
  1. My Niece Hangs Herself at 35
  2. Judith Harris
  3. pp. 78-79
  4. DOI: https://doi.org/10.1353/psg.2012.0104
  5. restricted access
  1. Woman between You and the Door
  2. John Bensko
  3. pp. 79-80
  4. DOI: https://doi.org/10.1353/psg.2012.0111
  5. restricted access
  1. The Body: or Breach, and: Cartography
  2. Nadine Sabra Meyer
  3. pp. 80-84
  4. DOI: https://doi.org/10.1353/psg.2012.0118
  5. restricted access
  1. The Superego State: A Lover’s Reply
  2. Brian James Schill
  3. pp. 85-105
  4. DOI: https://doi.org/10.1353/psg.2012.0082
  5. restricted access
  1. Under the Rug, and: Bedsprings, and: The Uses of the Past
  2. Chana Bloch
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/psg.2012.0088
  5. restricted access
  1. Gravitational Field, and: Letter to a Son
  2. Russell Thorburn
  3. pp. 112-115
  4. DOI: https://doi.org/10.1353/psg.2012.0094
  5. restricted access
  1. Yellowstone Wolf Project
  2. Travis Mossotti
  3. pp. 115-122
  4. DOI: https://doi.org/10.1353/psg.2012.0101
  5. restricted access
  1. Smiling Back from the Afterlife, and: Listening to the Paint
  2. Rachel Dacus
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/psg.2012.0108
  5. restricted access
  1. Late Afternoon
  2. Maia Evrona
  3. p. 125
  4. DOI: https://doi.org/10.1353/psg.2012.0115
  5. restricted access
  1. Check, Please, and: Contact High
  2. Betsy Brown
  3. pp. 125-128
  4. DOI: https://doi.org/10.1353/psg.2012.0079
  5. restricted access
  1. Original Sinning, and: Missing You Again, and: Back Story
  2. Marjorie Stelmach
  3. pp. 129-132
  4. DOI: https://doi.org/10.1353/psg.2012.0085
  5. restricted access
  1. Hawk Poem, and: What the Corpse Said, and: The Heads of the Apostles at Notre Dame
  2. Trey Conatser
  3. pp. 133-137
  4. DOI: https://doi.org/10.1353/psg.2012.0091
  5. restricted access
  1. Something Like Friends, Maybe, and: In Case We’re Separated
  2. Joelee Dekker
  3. pp. 138-139
  4. DOI: https://doi.org/10.1353/psg.2012.0098
  5. restricted access
  1. What it Was Like, and: Inflorescences
  2. Donna Prinzmetal
  3. pp. 140-141
  4. DOI: https://doi.org/10.1353/psg.2012.0105
  5. restricted access
  1. Sandpaintings
  2. Don Lago
  3. pp. 142-157
  4. DOI: https://doi.org/10.1353/psg.2012.0112
  5. restricted access
  1. Bogie Noir
  2. William Trowbridge
  3. p. 158
  4. DOI: https://doi.org/10.1353/psg.2012.0076
  5. restricted access
  1. Margaret Fuller’s Recurring Dream, and: Comfort
  2. Susan Blackwell Ramsey
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/psg.2012.0083
  5. restricted access
  1. The Seasons, and: ( . . . ), and: Photo Albums
  2. Anzhelina Polonskaya
  3. pp. 160-162
  4. DOI: https://doi.org/10.1353/psg.2012.0089
  5. restricted access
  1. Plumb, and: Unreliable Narrator
  2. Kim Triedman
  3. pp. 162-166
  4. DOI: https://doi.org/10.1353/psg.2012.0096
  5. restricted access
  1. Backordered
  2. Wendy Mnookin
  3. p. 167
  4. DOI: https://doi.org/10.1353/psg.2012.0103
  5. restricted access
  1. Corduroy Road
  2. Matthew Nienow
  3. p. 168
  4. DOI: https://doi.org/10.1353/psg.2012.0110
  5. restricted access

Reviews

  1. 5 Under 35 (review)
  2. Claire Harlan Orsi
  3. pp. 169-174
  4. DOI: https://doi.org/10.1353/psg.2012.0117
  5. restricted access
  1. Blue Rust (review)
  2. Tim McBride
  3. pp. 174-177
  4. DOI: https://doi.org/10.1353/psg.2012.0081
  5. restricted access
  1. Engine Empire (review)
  2. Jeff Alessandrelli
  3. pp. 177-179
  4. DOI: https://doi.org/10.1353/psg.2012.0087
  5. restricted access
  1. Conditions of Grace (review)
  2. Greg Kuzma
  3. pp. 179-181
  4. DOI: https://doi.org/10.1353/psg.2012.0093
  5. restricted access
  1. Chinoiserie (review)
  2. Christina Cook
  3. pp. 181-185
  4. DOI: https://doi.org/10.1353/psg.2012.0100
  5. restricted access
  1. A Wreath of Down and Drops of Blood (review)
  2. Nick Ripatrazone
  3. pp. 185-188
  4. DOI: https://doi.org/10.1353/psg.2012.0107
  5. restricted access
  1. News of Previous Contributors
  3. pp. 189-190
  4. DOI: https://doi.org/10.1353/psg.2012.0114
  5. restricted access
  1. Contributors
  3. pp. 191-195
  4. DOI: https://doi.org/10.1353/psg.2012.0078
  5. restricted access