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Table of Contents

  1. Generic Complexity in Ibsen's An Enemy of the People
  2. Thomas F. Van Laan
  3. pp. 95-114
  4. DOI: https://doi.org/10.1353/cdr.1986.0039
  5. restricted access
  1. Profane Icon: The Throne Scene of Shakespeare's Richard III
  2. Peggy Endel
  3. pp. 115-123
  4. DOI: https://doi.org/10.1353/cdr.1986.0046
  5. restricted access
  1. The Evolution of Shakespearean Metadrama: Abel, Burckhardt, and Calderwood
  2. Richard Fly
  3. pp. 124-139
  4. DOI: https://doi.org/10.1353/cdr.1986.0053
  5. restricted access
  1. Recasting A Doll House: Narcissism As Character Motivation in Ibsen's Play
  2. Carol Strongin Tufts
  3. pp. 140-159
  4. DOI: https://doi.org/10.1353/cdr.1986.0016
  5. restricted access
  1. The Bible in English Renaissance Civic Pageants
  2. David M. Bergeron
  3. pp. 160-170
  4. DOI: https://doi.org/10.1353/cdr.1986.0022
  5. restricted access
  1. The Plays of Eugene O'Neill: A New Assessment by Virginia Floyd (review)
  2. John H. Stroupe
  3. pp. 171-172
  4. DOI: https://doi.org/10.1353/cdr.1986.0028
  5. restricted access
  1. Il Planctus Mariae nella tradizione drammatica del Medio Evo by Sandro Sticca (review)
  2. Robert Edwards
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/cdr.1986.0036
  5. restricted access
  1. Sad Clowns and Pale Pierrots. Literature and the Popular Comic Arts in 19th-century France by Louisa E. Jones, and: Pierrots on the Stage of Desire. Nineteenth-Century French Literary Artists and the Comic Pantomime by Robert Storey (review)
  2. Marilyn Gaddis Rose
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/cdr.1986.0043
  5. restricted access
  1. The Mirror of Everyman's Salvation: A Prose Translation of the Original Everyman by John Conley, Guido de Baere, H. J. C. Schaap, and W. H. Toppen (review)
  2. Robert Potter
  3. pp. 177-180
  4. DOI: https://doi.org/10.1353/cdr.1986.0050
  5. restricted access
  1. Ben Jonson and the Roman Frame of Mind by Katherine Eisaman Maus (review)
  2. Frances Teague
  3. pp. 180-182
  4. DOI: https://doi.org/10.1353/cdr.1986.0056
  5. restricted access
  1. Federico Garcia Lorca by Felicia Hardison Londré (review)
  2. Ina Rae Hark
  3. pp. 182-183
  4. DOI: https://doi.org/10.1353/cdr.1986.0019
  5. restricted access
  1. Acting and Action in Shakespearean Tragedy by Michael Goldman (review)
  2. Harry Keyishian
  3. pp. 183-185
  4. DOI: https://doi.org/10.1353/cdr.1986.0025
  5. restricted access
  1. Russian Drama from Its Beginnings to the Age of Pushkin by Simon Karlinsky (review)
  2. E. J. Czerwinski
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/cdr.1986.0032
  5. restricted access
  1. Producible Interpretation: Eight English Plays, 1675-1707 by Judith Milhous and Robert D. Hume (review)
  2. Derek Hughes
  3. pp. 187-189
  4. DOI: https://doi.org/10.1353/cdr.1986.0040
  5. restricted access
  1. A Concordance to the Plays and Poems of Sir George Etherege by David D. Mann (review)
  2. Christopher Spencer
  3. pp. 189-190
  4. DOI: https://doi.org/10.1353/cdr.1986.0047
  5. restricted access