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  Volume 30, Number 3, Fall 2012

Table of Contents

Articles

Did Shakespeare’s Company Cut Long Plays Down to Two Hours Playing Time?

pp. 239-262
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“Posterity is dispossessed”: Laurence Olivier’s Macbeth Manuscripts in 1958 and 2012

pp. 263-297
|

“Know that I, Ringo the drummer, am”: Shakespeare, YouTube, and the Limits of Performance

pp. 299-318
|

Theatre Reviews

Richard III (review)

pp. 319-322
|

’Tis Pity She’s a Whore (review)

pp. 322-324
|

Love’s Labor’s Lost, and: Titus Andronicus, and: King Lear (review)

pp. 325-334
|

King Lear (review)

pp. 334-338
|

Richard II (review)

pp. 339-344
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Hamlet (review)

pp. 344-347
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Romeo and Juliet, and: Cymbeline (review)

pp. 347-353
|

The Tempest (review)

pp. 353-358
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The Tempest (review)

pp. 358-361
|

Desdemona (review)

pp. 361-365
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A Midsummer Night’s Dream, and: Coriolanus, and: As You Like It (review)

pp. 365-377
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Book Review

Religion and Drama in Early Modern England (review)

pp. 379-382
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Research Areas

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