Issue Cover

From: Dance Research Journal

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restricted access   Volume 44, Number 2, Winter 2012

Table of Contents

Editor's Note

Editor’s Note: Revaluing the Score: Archival Futurity

pp. 1-2
Mark Franko
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A Dancer Writes

Training Remembering

pp. 3-12
Martin Nachbar
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(Un)Covering Artistic Thought Unfolding

pp. 13-26
Maaike A. Bleeker
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Articles

Proleptic Steps: Rethinking Historical Period in the Fifteenth-Century Dance Manual

pp. 27-48
Seeta Chaganti
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Citational Poetics in Dance: . . . of a faun (fragments) by the Albrecht Knust Quartet, before and after 2000

pp. 49-70
Isabelle Launay, Allegra Barlow, Mark Franko
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Bad Language: Transpositions in Mark Morris’s Dido and Aeneas

pp. 71-94
Selby Wynn Schwartz
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Book Reviews

La Délivrance de Renaud: Ballet Danced by Louis XIII in 1617 (review)

pp. 95-100
Virginia K. Preston
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Composing While Dancing: An Improviser’s Companion, and: I Want To Be Ready: Improvised Dance as a Practice of Freedom (review)

pp. 100-103
Ann Cooper Albright
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The Dance of Death in the Middle Ages: Image, Text, Performance (review)

pp. 103-109
Kathryn Dickason
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How to Do Things with Dance: Performing Change in Postwar America (review)

pp. 109-111
Michael Huxley
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The Dance Claimed Me: A Biography of Pearl Primus (review)

pp. 111-114
Joanna Dee Das
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Site Dance: Choreographers and the Lure of Alternative Spaces (review)

pp. 114-117
Alana Gerecke
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William Forsythe and the Practice of Choreography: It Starts from Any Point (review)

pp. 117-121
Rebecca M. Groves
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Making Caribbean Dance: Continuity and Creativity in Island Cultures (review)

pp. 121-124
Elizabeth Chin
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Books Received

Books Received

p. 125
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