1. Editor’s Note: Revaluing the Score: Archival Futurity
  2. Mark Franko
  3. pp. 1-2
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  1. Training Remembering
  2. Martin Nachbar
  3. pp. 3-12
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  1. (Un)Covering Artistic Thought Unfolding
  2. Maaike A. Bleeker
  3. pp. 13-26
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  1. Proleptic Steps: Rethinking Historical Period in the Fifteenth-Century Dance Manual
  2. Seeta Chaganti
  3. pp. 27-48
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  1. Citational Poetics in Dance: . . . of a faun (fragments) by the Albrecht Knust Quartet, before and after 2000
  2. Isabelle Launay, Allegra Barlow, Mark Franko
  3. pp. 49-70
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  1. Bad Language: Transpositions in Mark Morris’s Dido and Aeneas
  2. Selby Wynn Schwartz
  3. pp. 71-94
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  1. La Délivrance de Renaud: Ballet Danced by Louis XIII in 1617 (review)
  2. Virginia K. Preston
  3. pp. 95-100
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  1. Composing While Dancing: An Improviser’s Companion, and: I Want To Be Ready: Improvised Dance as a Practice of Freedom (review)
  2. Ann Cooper Albright
  3. pp. 100-103
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  1. The Dance of Death in the Middle Ages: Image, Text, Performance (review)
  2. Kathryn Dickason
  3. pp. 103-109
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  1. How to Do Things with Dance: Performing Change in Postwar America (review)
  2. Michael Huxley
  3. pp. 109-111
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  1. The Dance Claimed Me: A Biography of Pearl Primus (review)
  2. Joanna Dee Das
  3. pp. 111-114
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  1. Site Dance: Choreographers and the Lure of Alternative Spaces (review)
  2. Alana Gerecke
  3. pp. 114-117
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  1. William Forsythe and the Practice of Choreography: It Starts from Any Point (review)
  2. Rebecca M. Groves
  3. pp. 117-121
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  1. Making Caribbean Dance: Continuity and Creativity in Island Cultures (review)
  2. Elizabeth Chin
  3. pp. 121-124
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  1. Books Received
  3. p. 125
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