restricted access   Volume 44, Number 2, Winter 2012

Table of Contents

Editor's Note

Editor’s Note: Revaluing the Score: Archival Futurity

pp. 1-2

A Dancer Writes

Training Remembering

pp. 3-12

(Un)Covering Artistic Thought Unfolding

pp. 13-26


Proleptic Steps: Rethinking Historical Period in the Fifteenth-Century Dance Manual

pp. 27-48

Citational Poetics in Dance: . . . of a faun (fragments) by the Albrecht Knust Quartet, before and after 2000

pp. 49-70

Bad Language: Transpositions in Mark Morris’s Dido and Aeneas

pp. 71-94

Book Reviews

La Délivrance de Renaud: Ballet Danced by Louis XIII in 1617 (review)

pp. 95-100

Composing While Dancing: An Improviser’s Companion, and: I Want To Be Ready: Improvised Dance as a Practice of Freedom (review)

pp. 100-103

The Dance of Death in the Middle Ages: Image, Text, Performance (review)

pp. 103-109

How to Do Things with Dance: Performing Change in Postwar America (review)

pp. 109-111

The Dance Claimed Me: A Biography of Pearl Primus (review)

pp. 111-114

Site Dance: Choreographers and the Lure of Alternative Spaces (review)

pp. 114-117

William Forsythe and the Practice of Choreography: It Starts from Any Point (review)

pp. 117-121

Making Caribbean Dance: Continuity and Creativity in Island Cultures (review)

pp. 121-124

Books Received

Books Received

p. 125