Volume 63, Number 2, Summer 2012

Table of Contents

Essays

George Chapman, John Davies of Hereford, William Shakespeare, and A Lover’s Complaint

pp. 147-174
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Invocation of the Visual Image: Ekphrasis in Lucrece and Beyond

pp. 175-198
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Love’s Rites: Performing Prayer in Shakespeare’s Sonnets

pp. 199-223
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Review Essays

Shakespeare and Queer Theory

pp. 224-235
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Shakespeare and the Modern Poet (review)

pp. 236-243
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Book Reviews

Passing Strange: Shakespeare, Race, and Contemporary America (review)

pp. 244-246
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Weyward Macbeth: Intersections of Race and Performance (review)

pp. 246-249
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Strangers in Blood: Relocating Race in the Renaissance (review)

pp. 250-252
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English Revenge Drama: Money, Resistance, Equality, and: Women and Revenge in Shakespeare: Gender, Genre, and Ethics (review)

pp. 253-256
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Pens and Needles: Women’s Textualities in Early Modern England (review)

pp. 256-258
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Crossing Gender in Shakespeare: Feminist Psychoanalysis and the Difference Within (review)

pp. 258-260
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Poetry and Paternity in Renaissance England: Sidney, Spenser, Shakespeare, Donne and Jonson (review)

pp. 261-264
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Women in Shakespeare: A Dictionary (review)

pp. 264-265
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Narcissism and Suicide in Shakespeare and His Contemporaries (review)

pp. 265-270
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Animal Characters: Nonhuman Beings in Early Modern Literature (review)

pp. 270-272
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Representing the Plague in Early Modern England (review)

pp. 273-276
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Shakespeare and the Grammar of Forgiveness (review)

pp. 276-280
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Shakespeare Studies Today: Romanticism Lost (review)

pp. 280-283
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Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation, and: The English Renaissance in Popular Culture: An Age for All Time, and: Filming and Performing Renaissance History (review)

pp. 283-287
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Shakespeare and the American Musical (review)

pp. 287-290
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Shakespeare in Asia: Contemporary Performance (review)

pp. 290-292
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Contributors

Contributors

pp. 293-296
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