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  Volume 63, Number 2, Summer 2012

Table of Contents


George Chapman, John Davies of Hereford, William Shakespeare, and A Lover’s Complaint

pp. 147-174

Invocation of the Visual Image: Ekphrasis in Lucrece and Beyond

pp. 175-198

Love’s Rites: Performing Prayer in Shakespeare’s Sonnets

pp. 199-223

Review Essays

Shakespeare and Queer Theory

pp. 224-235

Shakespeare and the Modern Poet (review)

pp. 236-243

Book Reviews

Passing Strange: Shakespeare, Race, and Contemporary America (review)

pp. 244-246

Weyward Macbeth: Intersections of Race and Performance (review)

pp. 246-249

Strangers in Blood: Relocating Race in the Renaissance (review)

pp. 250-252

English Revenge Drama: Money, Resistance, Equality, and: Women and Revenge in Shakespeare: Gender, Genre, and Ethics (review)

pp. 253-256

Pens and Needles: Women’s Textualities in Early Modern England (review)

pp. 256-258

Crossing Gender in Shakespeare: Feminist Psychoanalysis and the Difference Within (review)

pp. 258-260

Poetry and Paternity in Renaissance England: Sidney, Spenser, Shakespeare, Donne and Jonson (review)

pp. 261-264

Women in Shakespeare: A Dictionary (review)

pp. 264-265

Narcissism and Suicide in Shakespeare and His Contemporaries (review)

pp. 265-270

Animal Characters: Nonhuman Beings in Early Modern Literature (review)

pp. 270-272

Representing the Plague in Early Modern England (review)

pp. 273-276

Shakespeare and the Grammar of Forgiveness (review)

pp. 276-280

Shakespeare Studies Today: Romanticism Lost (review)

pp. 280-283

Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation, and: The English Renaissance in Popular Culture: An Age for All Time, and: Filming and Performing Renaissance History (review)

pp. 283-287

Shakespeare and the American Musical (review)

pp. 287-290

Shakespeare in Asia: Contemporary Performance (review)

pp. 290-292



pp. 293-296

Research Areas


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