1. Jewish Matriarchs and the Staging of Elizabeth I in The History of Jacob and Esau
  2. Michelle Ephraim
  3. pp. 301-321
  4. DOI: 10.1353/sel.2003.0017
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  1. Urban Misidentification in The Comedy of Errors and the Cony-Catching Pamphlets
  2. Martine Van Elk
  3. pp. 323-346
  4. DOI: 10.1353/sel.2003.0016
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  1. "Great is Diana" of Shakespeare's Ephesus
  2. F. Elizabeth Hart
  3. pp. 347-374
  4. DOI: 10.1353/sel.2003.0019
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  1. Glimpsing a "Lesbian Poetics" in Twelfth Night
  2. Jami Ake
  3. pp. 375-394
  4. DOI: 10.1353/sel.2003.0014
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  1. Bethlem and Bridewell in The Honest Whore Plays
  2. Ken Jackson
  3. pp. 395-413
  4. DOI: 10.1353/sel.2003.0021
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  1. The Mother as Bawd in The Revenger's Tragedy and A Mad World, My Masters
  2. Jennifer Panek
  3. pp. 415-437
  4. DOI: 10.1353/sel.2003.0023
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  1. The Classical Context of Ben Jonson's "Other Youth"
  2. Bruce Thomas Boehrer
  3. pp. 439-458
  4. DOI: 10.1353/sel.2003.0015
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  1. "Ears Prejudicate" in Mariam and Duchess of Malfi
  2. Reina Green
  3. pp. 459-474
  4. DOI: 10.1353/sel.2003.0018
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  1. Colonialism, Politics, and Romanization in John Fletcher's Bonduca
  2. Claire Jowitt
  3. pp. 475-494
  4. DOI: 10.1353/sel.2003.0022
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  1. Recent Studies in Tudor and Stuart Drama
  2. Barbara Hodgdon
  3. pp. 495-544
  4. DOI: 10.1353/sel.2003.0020
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  1. Books Received
  2. pp. 545-554
  3. DOI: 10.1353/sel.2003.0013
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