1. Your Hero Is a Ghost, 2010
  2. Lovett/Codagnone, Tom Zook
  3. pp. 2-3
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  1. Philosophical Tantrum #7: 2008-present, in permanent progress
  2. Guillermo Gómez-Peña
  3. pp. 7-9
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  1. Uganda Is Too Sexy: Reflections on Kony 2012
  2. Laura Edmondson
  3. pp. 10-17
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  1. The Pixelated Revolution
  2. Rabih Mroué, Ziad Nawfal, Carol Martin
  3. pp. 18-35
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  1. The Pixelated Revolution
  2. Rabih Mroué
  3. pp. 25-35
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  1. Building the Builders Association: A Conversation with Marianne Weems, James Gibbs, and Moe Angelos
  2. Richard Schechner
  3. pp. 36-57
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  1. Performing Pain-Taking and Ghostly Remembering in Vietnam
  2. Rivka Syd Eisner
  3. pp. 58-81
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  1. Regeneration: Tissue Engineering, Maintenance, and the Time of Performance
  2. Kelly Rafferty
  3. pp. 82-99
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  1. Trust Me: Richard Foreman's Invitation to "Deep Trance Behavior"
  2. Neal Swettenham
  3. pp. 100-113
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  1. Between the Image and Anthropology: Theatrical Lessons from Aby Warburg's "Nympha"
  2. Kathleen M. Gough
  3. pp. 114-130
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  1. Grotowski in a Maze of Haitian Narration
  2. Leszek Kolankiewicz, Olga Kaczmarek
  3. pp. 131-140
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  1. Playing, Fighting, and Dancing: Unpacking the Significance of Ginga within the Practice of Capoeira Angola
  2. Cristina Rosa
  3. pp. 141-166
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  1. The Cultural Intifada: Palestinian Theatre in the West Bank
  2. Erin B. Mee
  3. pp. 167-177
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  1. A Sucker Punch of Horror: The Oyoun Theatre's Gaza Mono-Logues
  2. Kimberly Jannarone
  3. pp. 178-182
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  1. Performing South Africa's Truth Commission: Stages of Transition (review)
  2. Lara D. Nielsen
  3. pp. 183-184
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  1. Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle (review)
  2. Tanya Augsburg
  3. pp. 185-187
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  1. The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life After Shopping (review)
  2. Dan Venning
  3. pp. 190-191
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  1. How To Do Things with Dance: Performing Change in Postwar America (review)
  2. Kate Elswit
  3. pp. 192-193
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  2. Sebastián Calderón Bentin
  3. pp. 194-195
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